Live Reviews

NEXT

Photos: Devendra Banhart at Berklee

Devendra Banhart, live at Berklee Performance Center, November 20, 2009

By BRAD MINTZ | November 23, 2009

Copy of devendra20jpg.jpg
Photo: Brad Mintz

Devendra Banhart | Berklee Performance Center | November 20, 2009

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | next >... last >>

1 of 16 (results 16)

A band, a part
My lingering qualms with Devendra Banhart's new album have very little to do with its substance and more to do with its consistency, a quality that throughout What Will We Be? seems present only in its glaring absence.
Rickie Lee Jones | Balm in Gilead
It’s astonishing to think that Rickie Lee Jones would turn out an album this organic and free of cynicism 30 years after her debut with the star-making, retro-hipster hit “Chuck E.’s in Love.” Particularly since her songwriting has always been so acutely self-aware.
Best in their field
The jazz scene continues to struggle — along with everyone else — through hard times.
More

A band, a part
My lingering qualms with Devendra Banhart's new album have very little to do with its substance and more to do with its consistency, a quality that throughout What Will We Be? seems present only in its glaring absence.
Rickie Lee Jones | Balm in Gilead
It’s astonishing to think that Rickie Lee Jones would turn out an album this organic and free of cynicism 30 years after her debut with the star-making, retro-hipster hit “Chuck E.’s in Love.” Particularly since her songwriting has always been so acutely self-aware.
Best in their field
The jazz scene continues to struggle — along with everyone else — through hard times.
Review: Carmen Consoli at Regattabar
How Italian was the crowd at Carmen Consoli's sold-out Regattabar show? The language was everywhere. The couple from Methuen sharing our table were 50 percent, and the Italian husband estimated the room at 90 percent. (I was guessing 85.)
Slow emotion
Whatever happened to good old-fashioned reflection?
Photos: Julian Casablancas at the Paradise
Julian Casablancas at the Paradise Rock Club
Review: Julian Casablancas at the Paradise
Casablancas's solo debut, Phrazes for the Young (RCA), is a bizarre and twisted romp through sophisticated musical stylings that, especially in a live setting, sound light years away from the compact garage minimalism of early Strokes. This was evident from the first notes of the show.
The Big Hurt: The decade ahead
As a new decade dawns, it's time to cast a curious eye toward the future.
Fresh legends
Nine out of 10 rap legends prefer People Under the Stairs. (The holdout is a crackhead.) That's no joke — in my hundreds of interviews with dudes who brought the noise and funk before the big ship sunk ( circa 1997), California underground heroes Thes One and Double K have been as popular a subject as the exploitation of old-school luminaries.
Fusionists
Nobody likes labels — except maybe critics. And we all want to live by Duke Ellington's measure of quality: beyond category. Beyond names and borders, that is, in a post-racial society. And yet, the word "fusion" — at least in music — has a pejorative connotation, suggesting bland pastiche and commercial opportunism.
52 ways to leave 2009
Your usual lackadaisical approach to New Year's Eve — just see what happens and go with the flow — is not going to cut it this year. Sure, the end of this decade may not have the same kind of new-millennium pressure riding on it as the last one, but the plunge into 2010 is a milestone nonetheless.
Less