The man who knew too much

Philip K. Dick enters the Library of America
By PETER KEOUGH  |  June 28, 2007

070629_pkd_main
PARNOID ANDROIDS: The notion of an entity — good, bad, or indifferent — which unites (or infests) all humanity, persists through Dick’s writing.

SUMMER BOOKS
Ice and fire: Ice Cream’s cold contemporary art, Burning Man’s hot stuff. By Greg Cook.
Heat waves: Summer reads to cool off with. By John Freeman.
Sifting the trash heap: Things I love about the gold and the garbage in comics. By Douglas Wolk.
Around the age of 13, Philip K. Dick started having a recurring dream. According to Emmanuel Carrère’s 2005 biography I Am Alive and You Are Dead: A Journey Into the Mind of Philip K. Dick, the future author dreamt that he was poring through a stack of science-fiction magazines, of which he was a huge fan, knowing that when he got to the last story in the very last one, he’d find the secret of the universe.

At first he proceeded eagerly, wanting to know. But then he thought, what if the truth is horrible? Immutable? Would he go insane? And so he tried to slow down his search and delay the inevitable glimpse of irrefutable, unbearable knowledge.

Whether Dick reached that last page by his death on March 2, 1982, is unknown. He did, however, amass his own stack of science fiction, some 40 novels and 100 short stories. At times, according to Carrère, Dick believed that ultimate knowledge lay within his own writings, as have many others since, making him one of the most revered and contemplated writers in the genre. Densely theoretical books have been written about him, several movies have been adapted from his work — some pretty good. Now, in a vindication of sorts, the Library of America has published four of his best novels from the 1960s.

Why the adulation? As a prophet, Dick sucked: flying cars, extraterrestrial colonization, psychics — maybe in alternative futures, but not in this one (he got it right with climate change and celebrity culture, making the environments of his novels oppressive inside and out). His writing was a lot better than scoffers allow, but still uneven. What he did capture with more terror, wit, and assurance than anyone else, however, was the essential paranoia of our age, the nagging suspicion that the official version of reality is a cover-up for a sinister conspiracy. Or divine revelation. Or . . . nothing at all.

For example, in one of the novels included in this volume, 1962’s The Man in the High Castle — maybe his best, and winner of the Hugo Award — doubt arises over the authenticity of the past. The premise of the book makes you wonder why it hasn’t been made into a movie yet: the original Axis of Evil has won World War II; Japan and Germany divide the world, and the US, between them. Maybe Dick’s focus put Hollywood off: the narrative revolves around the sale of fake American antiquities to the Japanese occupiers of the West Coast. Another plot line involves the author of the title and his subversive, banned novel that’s proven a sensation: in that book the Allies have won the war.

1  |  2  |  3  |   next >
Related: Tricky Dick, True Dick?, Scanner brained, More more >
  Topics: Books , Entertainment, Culture and Lifestyle, Religion,  More more >
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: WUTHERING HEIGHTS [2012]  |  October 19, 2012
    Merchant-Ivory this is not. Nor is it any Emily Brontë we've seen before.
  •   INTERVIEW: ANDREA ARNOLD'S ROMANTIC REALISM  |  October 18, 2012
    People in love do crazy things, especially in Andrea Arnold's films. So adapting Emily Brontë's masterpiece of pathological love, Wuthering Heights , came naturally.
  •   REVIEW: SISTER  |  October 18, 2012
    Increasingly popular among American independent filmmakers, the school of miserabilism — starkly dramatizing the poor, wretched, and unjustly deprived — has thrived in Europe.
  •   REVIEW: GIRL MODEL  |  October 10, 2012
    As seen in David Redmon and Ashley Sabin's somber, sometimes poetic, Fred Wiseman-like documentary, the international model trade ranks just above human trafficking in legitimacy.
  •   REVIEW: WAKE IN FRIGHT (1971)  |  October 10, 2012
    Combining elements of Heart of Darkness , After Hours , and Groundhog Day , Ted Kotcheff's brutally brilliant Outback thriller follows the moral degradation, or perhaps redemption, of a snooty schoolteacher (Gary Bond) traveling from the backwater where he's assigned to Sydney for his Christmas vacation.

 See all articles by: PETER KEOUGH