Cliff Evans at the Gardner, Jim Lambie at the Mfa, ‘Ad|Agency’ at the PRC, and more
By RANDI HOPKINS | October 30, 2007
Cliff Evans, still from Empyrean (2007) |
“Cliff Evans: Empyrean” at Isabella Stewart Gardner Museum, 280 the Fenway, Boston | November 9–January 20 | 617.566.1401 | “RSVP: Jim Lambie” at Museum of Fine Arts, 465 Huntington Ave, Boston | November 10–May 25 | 617.267.9300 | “Ad|Agency” at Photographic Resource Center, 832 Comm Avenue, Boston | November 9–January 27 | 617.975.0600 | “It’s a Dog’s Life” and “Children” at Griffin Museum of Photography, 67 Shore Road, Winchester | November 8–January 13 | 781.729.1158 |
The term “polyptych” usually refers to the multi-panel paintings designed as altarpieces for churches and cathedrals in Gothic and Renaissance Europe, often with views of the Madonna and Child or Christ on the Cross flanked by paintings of individual saints and angels and other supporting cast. Australian-born, Boston Museum School–trained video artist Cliff Evans, perhaps inspired by the Isabella Stewart Gardner Museum’s beautiful 14th-century Simone Martini altarpiece during his stint as Artist-in Residence there in 2006, evokes this historical form while giving it a new, secular twist in “CLIFF EVANS: EMPYREAN,” which opens at the Gardner on November 9. Evans’s Empyrean is a five-channel video projection that acts as a kind of digital polyptych, using photo-montage animation in place of painting to build a narrative touching on cultural issues like celebrity, power, politics, and militarism. The imagery itself has been appropriated from the Internet, then manipulated by the artist to create a visual experience with elements of social and political criticism. Evans speaks about his work in a conversation with Gardner Museum contemporary curator Pieranna Cavalchini at the Gardner on November 10 at 1:30 pm.Sculptor Jim Lambie is perhaps best known for his eye-bending installations of glossy vinyl tape applied to the floor in geometric patterns, and for his use of common objects like speakers, handbags, and mirrors to create sculptures big on personality and attitude. Lambie is the third artist invited by the Museum of Fine Arts to interact with its collection, architecture, and grounds as part of the “RSVPmfa” series; “RSVP: JIM LAMBIE,” opening on November 10, features 80 chairs emerging from a wall of the Museum’s West Wing.
Digital paintings of objects purchased from a SkyMall catalogue, altered magazine ads aimed at African-American audiences, and photographs documenting our “food landscape” are just some of the consumer-oriented, product-focused artwork on view in “AD|AGENCY,” which opens at the Photographic Resource Center on November 9. In their photo-based work, the exhibition’s nine artists take on the language of advertising and product photography to scrutinize the high-gloss, fluorescent-lit interaction between the consumer and the consumed.
William Wegman’s large-scale Polaroids of his Weimaraners seem to be endlessly popular, and “IT’S A DOG’S LIFE: PHOTOGRAPHS BY WILLIAM WEGMAN FROM THE POLAROID COLLECTIONS,” opening at the Griffin Museum of Photography on November 8, offers a chance to enjoy 29 of Wegman’s engaging pictures. Also opening November 8 at the Griffin, “CHILDREN: PHOTOGRAPHS BY WILLIAM ROPP” presents haunting work by the contemporary French photographer.
On the Web
Isabella Stewart Gardner Museum: www.gardnermuseum.org
Museum of Fine Arts: www.mfa.org
Photographic Resource Center: www.prcboston.org
Griffin Museum of Photography: www.griffinmuseum.org
Related:
Waste management, Going deep, Security blankets, More
- Waste management
One of the essential lessons I’ve gleaned from the magazine Martha Stewart Living is that if you put together a collection of junk that’s all the same color, it’s almost always interesting to look at.
- Going deep
A gaggle of big solo shows share the art waves with that powerful influx of computer-reliant art known as the Boston Cyberarts Festival this season.
- Security blankets
The show includes Gayle Caruso’s swaddled-doll series of drawings and paintings, inspired by terra cotta votive sculptures left at gravesites to invite heavenly protection.
- Naughty by nature
Landscape has inspired artists as varied as the romantic 19th-century Hudson River School painters and the macho 20th-century Earth Artists.
- Year in Art: Beyond the gloom
The Boston art scene felt muted for much of 2008, with 10 galleries closing and the death of two local icons: Harriet Casdin-Silver and Jules Aarons.
- Break on through (to the other side)
Rachel Perry Welty sees art where many of us see annoying little things to be thrown away or deleted: the funny-shaped plastic tabs cleverly invented to close the bag around a loaf of bread; the identifying stickers found on most fruit; answering-machine messages left at wrong numbers.
- Holiday, it would be so nice!
The Museum of Fine Arts offers a full-out festive immersion approach to the impending holidays this year — a line of attack that, in keeping with the contemporary spirit of art, embraces performing arts, multimedia, and site-specific.
- Mooninites invade; all hell breaks loose
What made this incidentrise to the level of art was Boston officialdom’s unwitting collaboration and the questions it raised about local art and fear.
- I spy
Artist Julia Scher was way ahead of the Homeland Security gang’s obsession with electronic eavesdropping and video voyeurism, having made high-tech installations that allowed museum and gallery goers to watch each other watching each other since the late 1980s.
- Radical dude
Cameron Jamie grew up in the ’burbs.
- Facets of brilliance
The current show in the Isabella Stewart Gardner Museum’s special-exhibition room, “Bellini and the East,” is another flickering jewel in the Gardner’s crown.
- Less
Topics:
Museum And Gallery
, Photography, Painting, Visual Arts, More
, Photography, Painting, Visual Arts, Cultural Institutions and Parks, Museums, Museum of Fine Arts, Isabella Stewart Gardner Museum, Photographic Resource Center, Gardner Museum, Jim Lambie, Less