FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Review: Case 39

Surprisingly subversive
By PETER KEOUGH  |  October 6, 2010
2.5 2.5 Stars

 

What's with all the demonic little girls in movies these days? Joining Let Me In is Christian Alvart's thriller, which is unremarkable except for its subversive subtext. Emily (Renée Zellweger), an unmarried woman working in child services, rescues waiflike Lilith (Jodelle Ferland) from demented parents and takes her into her home until a permanent family can be found. As you might guess from her name, however, Lilith isn't as sugar and spice as she seems, and she can really get under your skin, or into your ear, as one of the more horrific scenes attests. Deviating from the usual Hollywood line, Case 39 proposes that a woman who opts for a career over a family isn't pathetic but rather has escaped a life of enslavement to an all-devouring malignancy. Beyond this jab at family values, the film offers few surprises, being a pale imitation of The Exorcist and Damien: Omen II.

  Topics: Reviews , Movies, Movie Reviews, horror movies
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   ALTERNATIVE MEDIA AT THE BJFF  |  October 31, 2012
    After six decades of futility, maybe it's time for a new approach to achieving peace between Israelis and Palestinians. Some of the films in this year's Boston Jewish Film Festival offer solutions that sound a little crazy, except when you consider the alternatives.
  •   REVIEW: FLIGHT  |  November 01, 2012
    If Whip Whitaker (Denzel Washington) could land a doomed plane and save the lives of almost all the passengers while in the midst of a coke- and booze-fueled bender, imagine how well he'd do if he was sober.
  •   REVIEW: THE DETAILS  |  November 01, 2012
    God is not in these details. Jacob Aaron Estes's black comedy gets so dark that it's not even funny.
  •   REVIEW: A LATE QUARTET  |  November 01, 2012
    Unless Ken Russell is directing, films about musicians seldom are as exciting as the music they make.
  •   REVIEW: HOLY MOTORS  |  November 02, 2012
    Rivaling The Master in the weirdness of its opening scene, Leos Carax's first film since Pola X (1999) begins with a long take of an audience staring out at the audience watching the movie.

 See all articles by: PETER KEOUGH