FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Review: Morning Glory

Rachel McAdams gets perky
By PETER KEOUGH  |  November 10, 2010
2.0 2.0 Stars

 

"The debate about news versus entertainment has been going on for years," neophyte producer Becky (Rachel McAdams) snaps at 40-year-veteran news anchor Mike Cameron (Harrison Ford). "And your side lost." Mike would have started out around the time Network came out, and the difference between this film and that classic satire is that now the vulgarians are the good guys and the diehard idealists are snobby cranks. McAdams outdoes Mary Tyler Moore in her maladroit perkiness as Becky takes over Daybreak, the fourth-rated network morning show. She hires Mike to anchor alongside the blowsy veteran Colleen (Diane Keaton), but Mike, played by Ford with sly timing, refuses to go along with Becky's demeaning measures to save the show. Some of this is funny in a sub–Broadcast News kind of way, but director Roger Michell takes a hint from Becky, disdains his audience, and panders to the lowest common denominator.

  Topics: Reviews , Harrison Ford, Rachel McAdams, Diane Keaton,  More more >
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   ALTERNATIVE MEDIA AT THE BJFF  |  October 31, 2012
    After six decades of futility, maybe it's time for a new approach to achieving peace between Israelis and Palestinians. Some of the films in this year's Boston Jewish Film Festival offer solutions that sound a little crazy, except when you consider the alternatives.
  •   REVIEW: FLIGHT  |  November 01, 2012
    If Whip Whitaker (Denzel Washington) could land a doomed plane and save the lives of almost all the passengers while in the midst of a coke- and booze-fueled bender, imagine how well he'd do if he was sober.
  •   REVIEW: THE DETAILS  |  November 01, 2012
    God is not in these details. Jacob Aaron Estes's black comedy gets so dark that it's not even funny.
  •   REVIEW: A LATE QUARTET  |  November 01, 2012
    Unless Ken Russell is directing, films about musicians seldom are as exciting as the music they make.
  •   REVIEW: HOLY MOTORS  |  November 02, 2012
    Rivaling The Master in the weirdness of its opening scene, Leos Carax's first film since Pola X (1999) begins with a long take of an audience staring out at the audience watching the movie.

 See all articles by: PETER KEOUGH