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Features

Ten fall film releases

By PETER KEOUGH | September 24, 2012

LOOPER September 28 » This sci-fi noir from Rian Johnson spans many years, but in the old-fashioned way, via time machine. In 2072, the mob sends undesirables 30 years into the past where a hit man, played by Joseph Gordon-Levitt, whacks them. One contract turns out to be on himself, decades older, and played by Bruce Willis. I buy the premise, but Gordon-Levitt as a young Willis? Nonetheless, I have no problem with Emily Blunt as a gun-toting farmer.

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ARTICLES BY PETER KEOUGH

ALTERNATIVE MEDIA AT THE BJFF | October 31, 2012
After six decades of futility, maybe it's time for a new approach to achieving peace between Israelis and Palestinians. Some of the films in this year's Boston Jewish Film Festival offer solutions that sound a little crazy, except when you consider the alternatives.

REVIEW: HOLY MOTORS | October 31, 2012
Rivaling The Master in the weirdness of its opening scene, Leos Carax's first film since Pola X (1999) begins with a long take of an audience staring out at the audience watching the movie.

REVIEW: THE BIG PICTURE | October 24, 2012
A word of advice to anyone who kills his wife's lover, fakes his own death, assumes the dead guy's name, and flees to a seaside Balkan town: leave the camera at home.

REVIEW: HIGH GROUND | October 24, 2012
In October 2010, 11 wounded Iraq and Afghanistan War veterans — blind, missing limbs, suffering from traumatic brain injury or PTSD — took part in "Soldiers to the Summit," a mission to climb Nepal's 20,000 foot Mt. Lobuche.

REVIEW: CLOUD ATLAS | October 26, 2012
The most disappointing film of the year, Lana and Andy Wachowski and Tom Tykwer's adaptation of David Mitchell's 2004 novel fails on nearly every level.