A timeline of time-travel movies
By PETER KEOUGH | September 27, 2012
It's a good time for time-travel movies. Looper opens this week, joining Midnight in Paris, Men in Black 3, The Sound of My Voice, and others as recent examples.
>> READ: "Review: Looper" by Peter Keough <<
But it's a genre that's been around for a while. Here's a timeline for some of the rest.
FILM: The Time Machine (1960). DIRECTOR: George Pal. WHAT: Adaptation of H.G. Wells's classic sci-fi novel. HOW?: Via a whirly thing that is a Steampunker's dream come true. WHEN AND WHERE?: From Victorian England, to 1970 on the verge of a nuclear attack, to 802,701 AD — when class conflict has taken a turn for the worse. TIMELY LESSON: Eat the 47 percent who don't work or pay taxes.
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Hong Kong auteur John Woo hit commercial and artistic pay dirt in the US with Face/Off , his loopy Nicolas Cage/John Travolta neo-noir, but once he’d directed Tom Cruise in Mission: Impossible II , was there anywhere left to go?
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In lieu of Steve Carell’s hopelessly inept and earnest manager, we have his creepier duplicate, Glenn. Instead of the boorish brown-noser played by Rainn Wilson, there’s the more obnoxious Rick.
- Review: A Single Man
Christopher Isherwood published his novel about a middle-aged homosexual grieving for a lost lover, the frank depiction of gay desire scandalized some readers.
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I read Dennis Lehane's Shutter Island , a 336-page throat-grabbing mystery thriller, in two nearly sleepless nights.
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After studying music and dance at Sarah Lawrence College in the '60s, Meredith Monk was struck by the idea that the voice could be like the body — it could move, it could have characters and landscapes, it could alter time.
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If a Neil Young neophyte can find himself rocking in a cinema seat to the spirited, soulful music performed in this second of a rumored triptych of Demme-directed, Young-starring concert documentaries, long-time fans are bound to break their armrests.
- Review: A Matter Of Size
Director duo Sharon Maymon and Erez Tadmor have fashioned a look at a group of blue-collar Israeli men and how they came to accept who they are.
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- Review: I'm Still Here
Only someone who’s unfamiliar with psychedelic treats and chemically induced psychosis could think I’m Still Here is anything but real.
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Always a meticulous, quirky, and sometimes revelatory actor, Philip Seymour Hoffman in his directorial debut nurtures his splendid cast into similar performances.
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If Lionsgate wants to take a bite out of the animated film market dominated by Pixar and Disney, it’ll have to do better than this toothless stray.
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