The Punch Brothers | Who's Feeling Young Now?

Nonesuch (2012)
By ZETH LUNDY  |  February 7, 2012
3.5 3.5 Stars

PUNCH BROS-M

For a group full of virtuosos, the Punch Brothers refuse to dole out prodigious string-murdering sessions. On their third album in four years, the Chris Thile-led acoustic quintet relies on clockwork interplay and inspired song structure, on a rich sum-of-its-parts total that rethinks forward momentum with traditional instrumentation. "Progressive bluegrass" doesn't quite cover it. This methodology has drawn the ire of hardcore 'grassheads who just want to hear the guys leave sawdust on their fretboards. Who's Feeling Young Now? strikes a perfect balance between flash and form, running blistered fingers on otherwise scholarly templates. Perhaps this is where high-falutin' hillbilly music takes shape, or quantum-leaping Guster-ese becomes an acceptable descriptor. I also detect Bernard Herrmann banjo-funk (title track), headbanging toodle-oos ("This Girl"), speed-folk ("Flippen"), organic Radiohead fantasies (an eerily faithful cover of "Kid A"), and bouts of cinematic singer-songwriterism ("Clara"). Though look no further than the album opener, "Movement and Location," with its high-wire tension, noir-train motion, and unpredictable melody, for a four-minute lesson in new-century appropriation of the way things used to be.

THE PUNCH BROTHERS | Somerville Theatre, 55 Davis Square, Somerville | February 23-24 @ 7:30 pm | $24 | 617.625.5700

Related: Various Artists | Casual Victim Pile: Austin 2010, Bearstronaut | Broken Handclaps, Avi Buffalo | Avi Buffalo, More more >
  Topics: CD Reviews , Music, Arts, somerville Theatre,  More more >
| More


Most Popular
ARTICLES BY ZETH LUNDY
Share this entry with Delicious
  •   BROWN BIRD | FITS OF REASON  |  March 18, 2013
    Brown Bird, a boundary-pushing Americana duo from Rhode Island, make music that touches upon that can't-put-my-finger-on-it amalgamation of past and future sounds.
  •   NICK CAVE & THE BAD SEEDS | PUSH THE SKY AWAY  |  February 20, 2013
    Much like the similarly low-key The Boatman's Call , Cave's highly anticipated 15th album with the Bad Seeds manages the puzzling feat of making a great band seem inconsequential, if not entirely absent.
  •   SCOTT WALKER | BISH BOSCH  |  November 27, 2012
    Scott Walker's late-period about-face is one of the strangest in the annals of pop music.
  •   BILL WITHERS | THE COMPLETE SUSSEX AND COLUMBIA ALBUMS  |  October 31, 2012
    Bill Withers has always been the down-to-earth, odd-man-out of the '70s soul brothers: he's the one who came bearing a lunch box on the cover of his relaxed 1971 debut, Just as I Am .
  •   R.E.M. | DOCUMENT [25TH ANNIVERSARY EDITION]  |  September 19, 2012
    Fans of R.E.M. enjoy arguing over which album was the band's true shark-jump, but 1987's Document was inarguably the end of a groundbreaking era.

 See all articles by: ZETH LUNDY