The Soundtrack of Our Lives | Throw It To the Universe

Telegram (2012)
By MICHAEL CHRISTOPHER  |  June 19, 2012
3.0 3.0 Stars

tsool

While many Britpop fans spent the late 90s onward hoping with that Oasis would pull something out of the cabinet that came close to Definitely Maybe or (What's the Story) Morning Glory?, they should've been expanding their sonic range farther west to Sweden, where the Soundtrack of Our Lives have been rolling out some of the genre's finest compositions. Hey, purists — it's still in the European Union. Throw It to the Universe, number six on the docket by the sextet, keeps pace with past efforts despite dragging at times. There used to be nods to '60s British Invasion bands, but now those have been replaced with something more in tune with the Summer of Love; less Manchester and more Haight-Ashbury, a scene even George Harrison found too out-there to deal with. That's the only part where Throw It to the Universe stumbles — getting a bit too hippy-dippy for its own good. "Reality Show" is overly druggy, lost in a haze that sounds phoned-in on a bad connection; but the magic remains elsewhere — as on the title track, where singer Ebbot Lundberg casually intones, "We are the songs you love to sing." It is pretty dead on.

Related: Various Artists | Casual Victim Pile: Austin 2010, Avi Buffalo | Avi Buffalo, Andrew Bird | Break It Yourself, More more >
  Topics: CD Reviews , Music, Sweden, Arts,  More more >
| More


Most Popular
ARTICLES BY MICHAEL CHRISTOPHER
Share this entry with Delicious
  •   THE SOFT MOON | ZEROS  |  October 24, 2012
    Feeling disassociated, darkened, distressed, or just plain different this fall? Don't fret or suffer like the only hope out there for getting lost musically is by listening to early Depeche Mode or jumping on the Kraftwerk revival bandwagon.
  •   BAT FOR LASHES | THE HAUNTED MAN  |  October 18, 2012
    It's no myth that artists tend to struggle with the dreaded second-album slump, but less clichéd and much more real is the third-album choke — especially when previous releases are so critically acclaimed.
  •   THE WALKMEN FILL IN THE GAPS  |  October 10, 2012
    Nothing on the seventh Walkmen release is remotely as jarring as their 2004 masterpiece, "The Rat," a song that had frontman Hamilton Leithauser howling over frenetic guitars and a wildly crashing drumbeat.
  •   FRIGHTENED RABBIT READY TO EMERGE  |  October 02, 2012
    It's always annoying when a band is touted as "the next big thing," especially when they've been around pumping out great stuff for years and then suddenly everyone is talking about them like the stork dropped them off that morning — see Bon Iver winning a Best New Artist Grammy this year, five years after their debut came out.
  •   THE SOUND QUALITY OF CASPIAN  |  September 25, 2012
    Bands looking to create a BUZZ should take note of Caspian.

 See all articles by: MICHAEL CHRISTOPHER