Ben Folds | Way To Normal

Epic (2008)
By ZETH LUNDY  |  September 23, 2008
1.5 1.5 Stars
benfoldsINSIDE.jpg
When Ben Folds’s music was concerned with the aimlessness of a post-adolescent funk (think of the three records released by his Chapel Hill–based trio, Ben Folds Five, which yielded bouncy pop confections about growing up a bullying victim, wallowing in apathy, and joining the Army), it was clever, funny, and endearing. His recent string of solo albums has been burdened with an increasingly “mature” autobiography, and to these ears, his take on adulthood simply isn’t as interesting. His latest has his trademark mallet-fingered piano bangin’ and fuzz bass, but the songs — tales of bitter, bickering grown-ups and injury-sustaining rock stars — are loud tantrums of little consequence. And Way to Normal tries way too hard to be funny, whether it’s the Elton John joke (“Hiroshima (B-B-B-Benny Hit His Head)”), the wounded-male-ego misfire (“Bitch Went Nuts”), or the self-censored cuss song (“Effington”). Even Folds’s knack for a well-placed f-bomb has devolved into a lazy device masquerading as irreverence. His attitude may remain young at heart, but his irony’s over the hill.
Related: Putting the pop into the Pops, On the racks: May 16, 2006, Gag reflex, More more >
  Topics: CD Reviews , Elton John, Ben Folds, Ben Folds,  More more >
| More


Most Popular
ARTICLES BY ZETH LUNDY
Share this entry with Delicious
  •   BROWN BIRD | FITS OF REASON  |  March 18, 2013
    Brown Bird, a boundary-pushing Americana duo from Rhode Island, make music that touches upon that can't-put-my-finger-on-it amalgamation of past and future sounds.
  •   NICK CAVE & THE BAD SEEDS | PUSH THE SKY AWAY  |  February 20, 2013
    Much like the similarly low-key The Boatman's Call , Cave's highly anticipated 15th album with the Bad Seeds manages the puzzling feat of making a great band seem inconsequential, if not entirely absent.
  •   SCOTT WALKER | BISH BOSCH  |  November 27, 2012
    Scott Walker's late-period about-face is one of the strangest in the annals of pop music.
  •   BILL WITHERS | THE COMPLETE SUSSEX AND COLUMBIA ALBUMS  |  October 31, 2012
    Bill Withers has always been the down-to-earth, odd-man-out of the '70s soul brothers: he's the one who came bearing a lunch box on the cover of his relaxed 1971 debut, Just as I Am .
  •   R.E.M. | DOCUMENT [25TH ANNIVERSARY EDITION]  |  September 19, 2012
    Fans of R.E.M. enjoy arguing over which album was the band's true shark-jump, but 1987's Document was inarguably the end of a groundbreaking era.

 See all articles by: ZETH LUNDY