They get ill

Five Philly rap essentials
By DANIEL BROCKMAN  |  May 27, 2009

Goodbye nasty: Amanda Blank cleans up her act. By Daniel Brockman.
JOCKO HENDERSON | "RHYTHM TALK" [1979] | Back when a DJ was actually a disc jockey with a listening audience, veteran drive-time mouthbox Douglas "Jocko" Henderson followed up an unsuccessful 1978 bid for Congress by putting his uniquely square rhyming over an instrumental track of McFadden & Whitehead's "Ain't No Stoppin' Us Now." The resulting 7:15 of vinyl delight, with steez like "Hello, Daddy-O and Mommy-O, this is Jocko," constitutes the first recording in Philadelphia rap history (following hard on the heels of the generally acknowledged first rap recording of all time, the Sugar Hill Gang's "Rapper's Delight").

LADY B | "TO THE BEAT Y'ALL" [1980] | Arguably the first female rapper, Wendy Clark a/k/a Lady B was a popular DJ who recorded this crucial slab of wax long before MC Lyte, Queen Latifah, Roxanne Shante, and the Real Roxanne would fuck up rap's glass ceiling. Clark often insisted she wasn't much of a rapper, but the brassy sass of this track belies that misplaced bit of humble pie. Perhaps she prefers to be renowned instead for her reputation behind the decks, where her wax spinning was instrumental in boosting the early careers of such then-unknowns as Poor Righteous Teachers, Public Enemy, and . . .

SCHOOLLY D | "P.S.K. (WHAT DOES IT MEAN?)" [1985] | Breaking out of Philly's 5-2 Crew with DJ Code Money, Schoolly D fired one of gangster rap's early salvos with this ode to his friends in the notorious West Philly gang Park Side Killers. Using the cold-blooded tales of ruthlessness and ferocity amid urban decline that swirled around him as his source, D laid the blueprint for future generations of artists who would attempt to mine the desperation of the inner-city experience for rap gold.

DJ JAZZY JEFF + THE FRESH PRINCE | "GIRLS AIN'T NOTHING BUT TROUBLE" [1986] | They may have hailed from the same West Philly streets as Schoolly D, but Jeff and the Prince marched to a different beat, creating a playland of lighthearted boasts and cuddly beats. "Girls Ain't Nothing But Trouble" sampled I Dream of Jeannie while taking the Slick Rick formula of sleazy storytelling and recasting it for a PG crowd. The result? Commercial paydirt and the first rap Grammy ever (for 1989's "Parents Just Don't Understand").

THE ROOTS | "YOU GOT ME" (FEAT. ERYKAH BADU AND EVE) [1999] | Begat in 1989 by a Lord Creator who had heard one too many rap critics cry out, "But they don't play their own instruments!", the Roots eschewed typical hip-hop sampling and production in favor of a live-band dynamic centered on drummer ?uestlove and rapper Tariq "Black Thought" Trotter. Their fourth album proved to be a breakthrough, and that was in part due to the massive success of this Jill Scott–penned drum 'n' bass love ballad.

Related: Beyond Dilla and Dipset, An abridged history of the Roots' collabs, The Big Hurt: We floss econo, More more >
  Topics: Music Features , Entertainment, The Roots (Band), Schoolly D,  More more >
| More


Most Popular
ARTICLES BY DANIEL BROCKMAN
Share this entry with Delicious
  •   DIPLO DISHES A MAJOR LAZER  |  October 19, 2012
    After years of putting his sonic touches on other people's tunes, Diplo is hoping to finally step out into the light on his own.
  •   HOW ATLAS SHRUGGED LINKS CANADIAN PROG-ROCK AND OUR TERRIFYING VEEP HOPEFUL  |  October 19, 2012
    If, god forbid, Paul Ryan were to get elected vice president, we might have our first executive-branch hard-rock fan, which is somewhat in line with rock culture's slow shift from radical to conservative.
  •   MILLIGRAM BACK FOR ANOTHER STRIKE  |  October 12, 2012
    The history of rock and roll is endlessly cyclical, with each generation hitting "reset" and trimming the fat of a previous generation's indulgences, getting back to what is essential and absolutely needed.
  •   INTERVIEW: GOD SAVE JOHN LYDON  |  October 10, 2012
    When Sex Pistols impresario Malcolm McLaren coined the phrase "cash from chaos," he may have been describing his own filthy lucre, but for the members of rock's most explosive group, the fiduciary comeuppance was and has been eternally forthcoming.
  •   ADAM ANT TRIES TO CLIMB BACK ON TOP  |  October 05, 2012
    "Ridicule is nothing to be scared of," sang Stuart Leslie Goddard, a/k/a Adam Ant, on his seminal 1981 pop/post-punk smash "Prince Charming."

 See all articles by: DANIEL BROCKMAN