BRIAN BLADE TOLD ME SOMETHING LIKE, "WELL, IT'S JUST FEELING LIKE 'THIS IS WHAT WE'RE LISTENING TO, SO WHY SHOULDN'T WE BE USING IT IN WHAT WE WRITE?" THAT HAS A STRONG ECHO WITH WHAT YOU GUYS HAVE BEEN SAYING ABOUT COMING UP AT THAT TIME. FOR THESE GUYS IT'S RADIOHEAD AND BJÖRK AND — Yeah, right, exactly. Yeah, I think it is the same impulse. I mean, why deny it?
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Inside out, Streaming, Live jazz from John Scofield Trio at the Regattabar, More
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Charlie Kohlhase's love affair with jazz began with the avant-garde. As a high-school kid in Portsmouth, New Hampshire, he found that it was Ornette Coleman, Eric Dolphy, and the Art Ensemble of Chicago who rocked his world.
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It's standard operating procedure these days for young jazz bands to mix the free and the formal.
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Not long into his encore during the first set at the Regattabar Thursday night, guitarist John Scofield stopped the band, walked across the stage and took the sheet music from Steve Swallow's stand.
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Scullers booker Fred Taylor called the “Baritone Madness” show at the club Thursday night “a real put-together.”
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Patricia Barber is back. The 57-year-old singer, songwriter, and pianist emerged from her home base of Chicago in the early ’90s with a string of recordings that established her equally in all three categories.
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Jazz composers don't put together octets to be loud; they do it because they're thinking orchestrally — varied colors and voicings, and in the case of Pablo Ablanedo's Octet(o), contrary rhythmic motions.
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Most virtuosos leave you scratching your head asking, "How did he play that?"
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Topics:
Jazz
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