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Review: Jennifer's Body

Diablo Cody's exquisite corpse
By SHAULA CLARK  |  September 16, 2009
3.0 3.0 Stars

 
VIDEO: The trailer for Jennifer's Body.

You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out of its receiver. Which is exactly what you get — yet it's strangely enjoyable.

Karyn Kusama's film pits the dorky Anita, a/k/a "Needy" (Amanda Seyfried), against her cruel, smoldering-hot BFF Jennifer (Megan Fox), who happens to be a boy-slaughtering succubus. It's all so over the top.

It just kind of works — there's something delightful about watching a jailbait hottie cooing "You're just Jell-O 'cuz you're not invited" one moment and slurping the entrails out of a pulverized jock's thoracic cavity the next. Redolent of such works as Heathers, Ginger Snaps, and even True Blood, Jennifer's Body may not be the freshest cadaver, but it's a rather exquisite corpse all the same.

Related: The cuteness surge, Review: Observe and Report, Pregnant pause, More more >
  Topics: Reviews , Entertainment, Movies, Movie Comedies,  More more >
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ARTICLES BY SHAULA CLARK
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  •   INTERVIEW: ROBERT SIEGEL  |  September 22, 2009
    As Robert Siegel explores the idea of what happens when reality curb-stomps overblown expectation, it's hard not to feel a visceral twinge of empathy.  
  •   REVIEW: JENNIFER'S BODY  |  September 16, 2009
    You are no doubt approaching Juno screenwriter Diablo Cody's new venture into horror comedy with gritted teeth, expecting the cinematic equivalent of being bludgeoned into a bloody pulp by an adorable novelty hamburger phone spewing snappy quips out of its receiver.
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    An ardent disciple of cinéma-vérité, filmmaker (and Harvard alum) RJ Cutler has taken us behind the scenes of Bill Clinton's 1992 presidential campaign in The War Room and into the turbulent lives of 14 Illinois teens in American High.

 See all articles by: SHAULA CLARK

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