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Teachers and students

NEC and Berklee set the jazz stage
Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as one of the international twin beacons of jazz education in Boston along with Berklee College of Music.
By JON GARELICK  |  September 14, 2009
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Baroque and beyond

Betting on the best this fall
Ten-best lists usually come at the end of the season, but this year the Phoenix has asked its critics to provide a calendar of 10 events that, at least on paper, might wind up on an end-of-season Top 10. Boston, in case you didn't know it, is a great city for classical music, so it's not easy to keep the list short. But here goes.
By LLOYD SCHWARTZ  |  September 14, 2009
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Here comes the bride

Opera Boston's Smetana, the BSO's Berlioz, and Dawn Upshaw
It's been a long time since Bostonians had the chance to see the most popular Czech opera, Bedrich Smetana's The Bartered Bride , but Opera Boston followed its electrifying run of Shostakovich's The Nose with this tuneful folk opera and gave it a sweet and very likable production.
By LLOYD SCHWARTZ  |  May 12, 2009
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Loved these but not those

Valery Gergiev, Charles Dutoit, Murray Perahia, Ian Bostridge
Of the great international orchestras, perhaps the one that's most unfairly overlooked is the London Symphony Orchestra. Yet a handful of the very greatest orchestral performances I've ever heard have been with the LSO.
By LLOYD SCHWARTZ  |  April 08, 2009
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Mad love

John Harbison's Winter's Tale, Dvorák's Rusalka, Hans Graf with the BSO, Mark Morris's music
The destructive power of jealousy makes a good subject for opera.
By LLOYD SCHWARTZ  |  March 24, 2009
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Contertizing

From Don Giovanni’s hell to Haydn’s Creation
Boston Lyric Opera follows up Dvorák’s moonstruck Rusalka, with Christopher Schaldebrand in the title role of Mozart’s Don Giovanni, the BSO and much more.
By LLOYD SCHWARTZ  |  March 20, 2009
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Pilgrimage

Alan Gilbert with the BSO, plus Collage New Music, Boston Baroque, and Teatro Lirico d'Europa
Charles Ives's Fourth Symphony is a stunner. And Boston Symphony Orchestra guest conductor Alan Gilbert, the New York Philharmonic's music director designate led a stunning performance.
By LLOYD SCHWARTZ  |  March 17, 2009
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Beloved of God

Levine's Mozart with the BSO, plus Gabriela Montero and Benjamin Zander with the Boston Philharmonic
One of my most profound musical experiences took place when I was still a graduate student.
By LLOYD SCHWARTZ  |  February 26, 2009
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Noble melody

James Levine brings us Verdi's Simon Boccanegra ; plus Christian Tetzlaff and Leif Ove Andsnes
For the first time since James Levine became music director of the Boston Symphony Orchestra, this acclaimed Verdi specialist conducted the BSO in a Verdi opera.
By LLOYD SCHWARTZ  |  February 03, 2009
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Rare Frequencies: Callithumpian Consort, Thurston Moore and Bill Nace

Louder than bombs
Although composer JOHN CAGE is best known for 4'33" of silence, he could raise a ruckus when the mood struck.
By SUSANNA BOLLE  |  January 20, 2009
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Fully loaded

Joshua Redman, Cassandra Wilson, Lionel Loueke, and more
One of the most hotly anticipated concerts of the season will be JOSHUA REDMAN's "Double Trio" concert at Berklee on January 22.
By JON GARELICK  |  January 05, 2009
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Lift every voice!

Classical goodies for 2009
Opera is the big word for 2009.
By LLOYD SCHWARTZ  |  December 30, 2008
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A song to sing, O!

Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
Seiji Ozawa returns to the BSO, Boston Early Music Festival's 17th-century chamber operas, the Bostonians' Yeomen of the Guard
By LLOYD SCHWARTZ  |  December 02, 2008
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Old and new

Leon Fleisher at 80, Harry Christophers with the Handel and Haydn Society, André Previn and James Levine at the BSO
There was hardly a concert I was more eager to hear than the Celebrity Series of Boston’s celebration of pianist Leon Fleisher’s 80th birthday.  
By LLOYD SCHWARTZ  |  October 16, 2008
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Opening pitch

James Levine’s gala and Brahms, Russell Sherman’s Liszt, the Bostonians’ Kurt Weill
The most moving moment of this year’s Boston Symphony Orchestra opening gala came before the concert started — the standing ovation for James Levine, who looked rested and recuperated after his kidney surgery this summer, an operation that forced him to cancel most of his Tanglewood season.  
By LLOYD SCHWARTZ  |  October 01, 2008
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Autumn leaves

A cornucopia of jazz
One of the great harbingers of fall jazz for the past seven years has been the Beantown Jazz Festival.
By JON GARELICK  |  September 08, 2008
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Russian, Spanish, American . . .

Music in all accents comes to the concert halls
What everyone is looking forward to this fall is the return to the podium of Boston Symphony Orchestra music director James Levine.
By LLOYD SCHWARTZ  |  September 11, 2008
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Grand finales

The Cantata Singers’ Weill retrospective, Mark Morris leading Dido , Chorus pro Musica’s Carmen
Jeffrey Rink has just ended his 18th and final season as music director of Chorus pro Musica. He’ll be missed.
By LLOYD SCHWARTZ  |  June 03, 2008
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Orpheus in the afterworld

Harbison and Mahler at the BSO, and the return of Dubravka Tomsic
Tomsic’s last Boston recital was four years ago. We can’t afford to be without her this long.
By LLOYD SCHWARTZ  |  April 22, 2008
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Passion-less

Bernard Haitink and the BSO; Dominique Labelle with the Handel and Haydn Society
If the St. John Passion is Bach’s equivalent of lesser Shakespeare, the St. Matthew Passion is Bach’s King Lear.
By LLOYD SCHWARTZ  |  April 02, 2008
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Strings ’n’ bass

Helmut Lachenmann comes to town, plus DJ G Notorious’s Dubwise monthly
This week we’re hitting the sonic extremes.
By SUSANNA BOLLE  |  February 26, 2008
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Russians on the run

Benjamin Zander and the Boston Philharmonic Orchestra at Sanders Theatre, February 24, 2008
Zander balanced the pathos and the passion here the way you have to balance the rose and the distaff/thorn in The Sleeping Beauty , and that was no small thing.  
By JEFFREY GANTZ  |  February 26, 2008
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Too much too soon?

Classical goodies for 2008
Two of the most exciting concerts announced for this winter are on the same date, February 24.
By LLOYD SCHWARTZ  |  January 31, 2008
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Movie music

The BSO, Handel and Haydn, Pro Arte Chamber Orchestra, the Cantata Singers, David Daniels, and Teatro Lirico d’Europa’s Tosca
Classical music in 2008 Boston did not get off to a brilliant start.
By LLOYD SCHWARTZ  |  January 23, 2008
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Cooling it

A wealth of winter jazz
It's good news that the Isabella Stewart Gardner Museum, in conjunction with Berklee College of Music, is bringing back jazz as a regular part of its concert season.
By JON GARELICK  |  December 26, 2007
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Hail and farewell

The Berlin Philharmonic’s Mahler, the St. Lawrence String Quartet, and the BSO’s Smetana
The season’s most eagerly awaited (and, with its $187 top ticket price, most expensive) classical concert was not a disappointment.
By LLOYD SCHWARTZ  |  November 27, 2007
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Voice of authority

Thomas Quasthoff holds forth
German baritone Thomas Quasthoff has overcome adversity (his mother took Thalidomide) to become the outstanding German lieder singer of his generation.
By JEFFREY GANTZ  |  November 14, 2007
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Super abundance

Gustavo Dudamel and the Simón Bolívar Youth Orchestra of Venezuela; James Levine’s Berg and Mahler; Measha Brueggergosman at Jordan Hall
“Something absolutely extraordinary is happening in Venezuela,” announced Tony Woodcock.
By LLOYD SCHWARTZ  |  November 13, 2007
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A hero of our time

Ivan Moravec at the Metropolitan Museum
I never doubt Moravec unless I’m measuring him against himself. There isn’t a pianist alive I’d rather hear.
By JEFFREY GANTZ  |  October 18, 2007
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Opening nightmare

Good playing, bad karma at the BSO gala
It wasn’t as bad as what happened at Opening Night at the Pops last May, but it was still awful.
By LLOYD SCHWARTZ  |  October 10, 2007

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