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What would Boston's media landscape look like without the Boston Globe ?
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If history is just one damn thing after another, then we are living in undeniably historic times.
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Blogging, vlogging, and social-networking have already hit orange-alert levels on the oversharing meter. Now pushing things into the red are "sext messages."
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"Is anybody out there alive?" Bruce Springsteen's crack backing band were in the middle of a full-throttle sonic meltdown casually tossed into opening tune "Badlands," with three guitars wildly strumming open frayed chords like Sonic Youth at their most . . . Sonic Youthy. "I said, is anybody out there alive tonight?"
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"I'm an immigrant," says Joe Wong. "And I used to drive this used car with a lot of bumper stickers that are impossible to peel off. One of them said, 'If you don't speak English, go home.' And I didn't notice it for two years."
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What would Boston's media landscape look like without the Boston Globe ?
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If history is just one damn thing after another, then we are living in undeniably historic times.
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Merce Cunningham has used computers as co-creators for his choreography since 1991, and it was his evolving dance Loops that inspired the six works shown Friday night at the MIT Museum to open the sixth Boston Cyberarts Festival.
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It had been nearly half a century since Luis Tiant stood on the Cuban soil where he was born, and where he first learned the skills that would see him become one of the greatest and most beloved pitchers in Red Sox history.
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"Is anybody out there alive?" Bruce Springsteen's crack backing band were in the middle of a full-throttle sonic meltdown casually tossed into opening tune "Badlands," with three guitars wildly strumming open frayed chords like Sonic Youth at their most . . . Sonic Youthy. "I said, is anybody out there alive tonight?"
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