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What would Boston's media landscape look like without the Boston Globe ?
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"I'm an immigrant," says Joe Wong. "And I used to drive this used car with a lot of bumper stickers that are impossible to peel off. One of them said, 'If you don't speak English, go home.' And I didn't notice it for two years."
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If history is just one damn thing after another, then we are living in undeniably historic times.
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Blogging, vlogging, and social-networking have already hit orange-alert levels on the oversharing meter. Now pushing things into the red are "sext messages."
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Twenty-seven-year-old Jesse White is a temporary staff attorney at a domestic-violence nonprofit in the South End.
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With her bold style, high-pitched voice, multicolored mop-top, and MacGyver-like ability to make mesmerizing bras out of things like electronic parts and bubble wrap, Missing Persons frontwoman Dale Bozzio planted herself firmly in the spotlight in the 1980s.
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"Is anybody out there alive?" Bruce Springsteen's crack backing band were in the middle of a full-throttle sonic meltdown casually tossed into opening tune "Badlands," with three guitars wildly strumming open frayed chords like Sonic Youth at their most . . . Sonic Youthy. "I said, is anybody out there alive tonight?"
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What would Boston's media landscape look like without the Boston Globe ?
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The Maine writer Sarah Orne Jewett, born in South Berwick in 1849, memorably focused her work on the ordinary people of rural nineteenth-century Maine.
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Merce Cunningham has used computers as co-creators for his choreography since 1991, and it was his evolving dance Loops that inspired the six works shown Friday night at the MIT Museum to open the sixth Boston Cyberarts Festival.
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