|
|
Risin’ With The Blues | Zoha By: TED DROZDOWSKI11/7/2006 3:50:02 PM
|
As much as I enjoy hearing Ike Turner’s gritty voice sing “You’re like Kentucky Fried Chicken, woman/You’re finger-lickin’ good” on the new “Tease Me,” this album is still a disappointing follow-up to his 2001 comeback, Here and Now (Ikon). Sure, that Handy-winning, Grammy-nominated album also mixed up classics from Turner’s Mississippi Delta birthplace with new material, but this time, the now-75-year-old Ike seems to have lost some of his vigor; there are just too many bland shuffles and recycled funk arrangements. “Gimme Back My Wig,” “Caledonia,” and “Big Fat Mama” are all tired choices; “I Don’t Want Nobody” has a cheesy programmed rhythm track that’s right out of the back pages of ’80s soul blues. More hard-ass boogie-woogie piano would serve him well; his best playing here is on the instrumentals. The keyboard work on the classic “After Hours” is parked right in the barrelhouse, and he plays a clean, pretty guitar melody over the pedantic accompaniment of “Jazzy Fuzzy.” There’s conviction in his vocal delivery of “I Don’t Want Nobody,” a song that distances him from his controlling past, and also in the sassy but touching “Jesus Loves Me,” where his admission that “I made a lot of mistakes” is paired with his belief that “I’m a bad boy, but Jesus loves me anyway.” Add in his stingy guitar solo and Turner shows he’s got enough power, faith, and personality to transcend obstacles like the tune’s generic 12-bar shuffle form.
ADVERTISEMENT
|
|
|
|
- SEX (CIRCA 2006) Oral is the new second base, the “mostly” girls keep on kissing girls, and the Bro Job has arrived (but is still not ready for its close-up)
- WHAT NOW? Republican defeats are just the first step in turning the nation around. Plus, the constitutional imperative of gay marriage.
- THE NAKED SORORITY Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- WHATEVER HAPPENED TO MEMOGATE? Waiting for the Globe’s mea culpa
- COP OR DRUG DEALER? Roberto Pulido’s story shows how easily the divide between law-keepers and law-breakers can break down — if nobody is paying attention
- HARMONIC INSURGENTS The graphic intensity of Converge
|
|
|
|
|
|
| No comments yet. Be the first to start a conversation. |
|
|
Login to add comments to this article
Email
Password
Register Now |
Lost password
|
|
|
|
|