Hannah Takes the StairsAnd they don't go anywhere September 5,
2007 5:14:39 PM
HANNAH TAKES THE STAIRS: Rub-a-dub-dub, 1812 Overture in a tub.
|
Hannah’s stairs seem like those in the Escher prints that don’t go anywhere, and that describes this entry in the bunch-of-cool-but-inarticulate-twentysomethings-talking-about-stuff genre that Andrew Bujalski brought to full bloom in Mutual Appreciation. Bujalski has a role (and he wrote the screenplay, with a host of others) in this aimless indulgence from Joe Swanberg (LOL) as one of three slackers seduced and abandoned by Hannah (Ellen DeGeneres look-alike Greta Gerwig). Hannah’s problem: she’s never satisfied. Also, she thinks the world is a bad place because nobody listens to anybody. But then, if you listen to her “ramblings,” she has nothing to say. Nonetheless, certain images, like two people in a tub playing the 1812 Overture on trumpets, are worth the visit.
|
|
|
- More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
- Will Brattle Street torpedo him again?
- Paparazzi were the first to be blamed for the death of the Princess of Wales. My (brief) life as a snapper.
- Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- The networks put some English on the fall TV season
- Building the new Disney empire, one tween at a time
- More than a decade into their career, Dropkick Murphys accept success — and pay tribute to the people and the city who helped them earn it
- Who is that stashed man?
- A message for Facebook users: you’re being watched
- On the road with Mozart and Molière in Don Juan Giovanni
- Rhode Island is poised for a wireless leap forward with the first-in-the-nation statewide network
- Or why the FCC should go fuck itself
|
-
A 90-minute Oscar wanna-be
-
Funny but undecidedly pendantic
-
Slyly persuasive Errol-Morris-style
-
Cronenberg’s twisted mirror
-
David Cronenberg revises History
-
The Boston Film Festival: work in progress
-
Julie Taymor reinvents the Beatles
-
Fall films face terror at home and abroad
-
A bad break-up movie
-
A dénouement aching with ambiguity
|
- A 90-minute Oscar wanna-be
- Gorgeous high-def space
- Funny but undecidedly pendantic
- Adding to Odenkirk's cinematic slump
- A vigilant film lacking courage
- The best film about an American poet ever made
- Slyly persuasive Errol-Morris-style
- A messy sado-school movie
- Screwing America one gun-slinger at a time
- Jean-Luc Godard’s 1965 omnibus rides again
|
|
|
|