BodysongThe perfect fusion of sound and vision December 31,
2007 2:22:30 PM
BODYSONG Nothing less than the human life cycle.
|
Produced in 2002 by FilmFour and the UK Film Council, Simon Pummell’s nearly wordless exploration of nothing less than the human life cycle — from birth through growth to sex, violence, death, and dreams — is only now reaching Boston, courtesy of the Museum of Fine Arts. The timing couldn’t be better: it’s playing concurrently with Paul Thomas Anderson’s There Will Be Blood, and there couldn’t be a more perfect coming-out for an electrifying new voice in movies. I speak of the musical contributions of Jonny Greenwood, the BBC’s composer-in-residence and a member of Radiohead. When Anderson first viewed Pummell’s film, he found Greenwood’s trance-like score revelatory, and that paved the way for his collaboration with Greenwood on There Will Be Blood. Which is not to discredit the story that Pummell, a short-film maker with a background in animation, has assembled, using 100 years of archival footage, some of which may be familiar but most of which will be new. From more than 400 sources, he’s created an operatic narrative of a single human life, a near-perfect fusion of sound and vision. 78 minutes | MFA: January 9, 12, 13, 19, 23
|
|
|
- These guys couldn't turn on a radio
- This could be the last election in which the New Hampshire primary, and its quaintly irrelevant retail politics, really matters
- Mitt Romney is a liar, and Republican voters deserve better.
- Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- Barrett and the Bosstones are back
- Theatre: 2007 in review
- These guys couldn't turn on a radio
- McCoy Tyner at the Regattabar, December 27, 2007
- The Wire’s final season
- 50 years after the Boston Braves' departure, it’s worth asking: did the wrong team leave town?
- Comfort food, Moroccan-style
- New book recounts the hunt for a woman and her killer
|
-
Genre futility
-
The deck is stacked
-
Easy jokes? Absolutely
-
Tim Burton’s latest is bloody good
-
Shopocalypse flop
-
Ah, globalism
-
Bring coffee
-
Noir makes a return
-
A cohesive revision from Ridley Scott
|
- Daniel Day-Lewis gushes in Paul Thomas Anderson’s punch-drunk epic
- Genre futility
- Hard to knock it
- Loving, but tedious
- “Ephemeral, dangerous, and unfair”
- The deck is stacked
- Reaching for the stars
- Easy jokes? Absolutely
- A middling effort for Hilary Swank
|
|
|
|