Street KingsA copycat cop movie April 9,
2008 3:58:27 PM
STREET KINGS: This James Ellroy script has been done before — and better.
|
A film based on a James Ellroy story should evoke its brutal LA demi-monde setting, not the clichés of other films from the same genre. Films like Training Day, which David Ayer wrote before making his directorial debut with this Ellroy vehicle by way of a committee of other writers. Tom Ludlow (a numb Keanu Reeves) wakes up hungover in his squalid apartment. He slips a clip into his 9mm, buys some vodka nips, and ends his day gunning down some Koreans selling underage girls to pedophiles. Bending the rules a bit, but evil has been vanquished, and Captain Wander (a wacky Forest Whitaker) is delighted. Soon he’ll be Chief! But Ludlow’s angry ex-partner is not so impressed. Is it because Ludlow is a racist? (That’s an issue the film never confronts.) Because he and Wander are dirty? As the body count rises, the question of good and evil becomes just another device in a plot that is convoluted and tedious and has been done many times before — and much better. 107 minutes | Boston Common + Fenway + Fresh Pond + Chestnut Hill + suburbs
|
|
|
- How Stepford politics rule Beacon Hill
- Why is it that one out of 125 Gloucester residents is a junkie?
- Boston TV kills A&E coverage
- Our correspondent takes a walk on the Wildlife-Removal side.
- Never mind its tough-girl alt-porn feminism: SuicideGirls has already moved on to a new generation
- Some Things at Trinity
- What is driving the widespread movement pressuring Hillary to drop out, even though she is very much still in the race?
- How did BU's research facility go from slam dunk to almost sunk?
- Courage vs. abuse
- Style and substance, hold the meat
- Trying to find some meaning in ace biz-boy columnist Steve Bailey’s move to London
- How Stepford politics rule Beacon Hill
|
-
Audrey Tautou goes slumming in Hors de prix
-
The Stones find satisfaction in Martin Scorsese’s Shine a Light
-
Predictable, pointless, and sad
-
The Boston Turkish Film Festival at the MFA
-
Call it American Ugly
-
From crude to cute
-
Borderless realm of love, loss, and reconciliation
-
The Boston Underground Film Festival celebrates both
-
Artfully done soap opera
|
- Vegetation and gore
- As expected, smart supporting characters
- Audrey Tautou goes slumming in Hors de prix
- Ubiquitous Abigail Breslin in a mildly diverting adventure
- A plucky play that takes its eyes off the ball
- Exploring the modern female life
- An astonishingly unpredictable ending
- A plot centered around one man's penis
- Poetic Americana
|
|
|
|