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Battle in Seattle

A docudrama that overcomes it's obvious flaws
By JASON O'BRYAN  |  September 23, 2008
3.0 3.0 Stars
seattleINSIDE.jpg

Loosely based on the events surrounding the WTO protests in Seattle in 1999, this docudrama from writer/director Stuart Townsend follows about a dozen characters from all sides of the issue as the mayhem unfolds. Townsend frames his characters as actors embroiled in a larger story that none of them fully understands; they attempt to effect their best intentions while struggling against a system that’s stacked against them. There’s the Activist Leader (Martin Henderson), the Fighter (Michelle Rodriguez), the Besieged Mayor (Ray Liotta), the Cop, the Bigot, the Journalist, the Innocent, and so on. Like Paul Haggis’s Crash, the film mistakes stereotypes for archetypes, staging absurd coincidences with timely epiphanies so everyone can learn a lesson. Also like Crash, Battle in Seattle manages to overcome its obvious flaws; the nerves it does hit can be felt long after the last name has rolled across the screen. 100 minutes | Kendall Square
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ARTICLES BY JASON OBRYAN
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  •   DRINK LIKE DON  |  December 08, 2009
    If Mad Men has taught us anything, it's that we shouldn't go to a 1960s advertising executive for health advice.
  •   DON'T DO IT  |  November 17, 2009
    So, I heard that you want to trade in your skis for a snowboard this year. Maybe it'll be fun? Well, maybe, but there are a few things I'd like you to consider before you make that leap.
  •   REVIEW: BRIEF INTERVIEWS WITH HIDEOUS MEN  |  November 05, 2009
    Bleeding admiration for the David Foster Wallace stories on which it’s based, John Krasinski’s directorial debut follows Sara Quinn (Julianne Nicholson) as she interviews men about their sexual proclivities for her master’s thesis.
  •   REVIEW: AMERICAN VIOLET  |  April 28, 2009
    Arrested for a crime she didn't commit, Dee Roberts is enlisted by an ACLU lawyer (Tim Blake Nelson) to sue the county for racist intent and stop the DA from what is continually referred to as "terrorizing the black community."
  •   REVIEW: LYMELIFE  |  April 21, 2009
    Like many of the bastard offspring of American Beauty and Little Miss Sunshine , Derick Martini's quirky, frustrating directorial debut seems to believe that a dystopian view of suburbia will suffice for a film

 See all articles by: JASON OBRYAN



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