The Soft Moon | Zeros

Captured Tracks (2012)
By MICHAEL CHRISTOPHER  |  October 24, 2012
3.5 3.5 Stars

thesoftmoon

Feeling disassociated, darkened, distressed, or just plain different this fall? Don't fret or suffer like the only hope out there for getting lost musically is by listening to early Depeche Mode or jumping on the Kraftwerk revival bandwagon. There are, in fact, a slew of newish bands with a full palette of grey melancholy and aural dissonance ready to take you in their cold embrace. The Soft Moon joins the ranks of Silk Flowers, Cold Cave, and Ducktails as modern guardians of the bleak. Brainchild of NoCal's Luis Vasquez, the Soft Moon sound fuses anxious synth lines with jittery drum machines; check the sway of the title track on Zeros and its seamless transmutation into Krautrock. It's a minimalist approach that started on the Soft Moon's outstanding 2010 self-titled debut full-length, and continues here with each composition taking on an overall instrumental feel despite the occasional presence of lyrical accompaniment. When they do enter the soundscape, Vasquez's vocals tend to hover above the song or, as with the incredibly Cure-like eeriness of "Insides," echo like a swirling vapor of torturous hopelessness. The effect is emotive without being over the top or resorting to a smeared-eyeliner addiction. Imagine if when Trent Reznor first hit the scene he had been more despondent than angry, headed in the opposite direction of his immediate industrial forebears Throbbing Gristle, Cabaret Voltaire, and Skinny Puppy, instead welcoming the softer yet no less intense side of Peter Murphy. Speaking of which, it's that time of year again, where one is encouraged to get all bereft in deathly bloom anyhow. So watch the leaves fall as the season continues to turn while sitting alone in a darkened room. Just make sure the Soft Moon is playing within earshot.
  Topics: CD Reviews , Music, review, album,  More more >
| More


Most Popular
ARTICLES BY MICHAEL CHRISTOPHER
Share this entry with Delicious
  •   WHAT'S F'N NEXT? BAD BOOKS  |  February 12, 2013
    Andy Hull is doing just fine with the introspective and sometimes angst-tinged alt-rock of Manchester Orchestra, and Brooklyn-based Kevin Devine has built up a solid following with his own singer/songwriter thing.
  •   THE YEAR MILLION MATURE INTO THE NOW  |  February 12, 2013
    It's a chilly winter night in Allston, and I'm huddled around a table at Deep Ellum with the Year Million, discussing the band's just-released EP Broken Circuits .
  •   FRIGHTENED RABBIT | PEDESTRIAN VERSE  |  February 11, 2013
    Worrywarts who were stressed about Frightened Rabbit making the major-label jump after three well-received indie full-lengths and a pair of EPs can quit fretting.
  •   WHAT'S F'N NEXT? KING TUFF  |  January 14, 2013
    Sounding like the bastard offspring of T. Rex and Alex Chilton, King Tuff's self-titled second album and first for the iconic Sub Pop label was one of the more pleasant surprises of last year.
  •   QUICKSAND RISES FROM THE '90S  |  December 28, 2012
    There are two ways to go about being a post-hardcore band from the '90s.

 See all articles by: MICHAEL CHRISTOPHER