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Nominate-best-2010

2009: The year in movies

By PETER KEOUGH  |  December 28, 2009

 

8. The Road
For those who found the Coen Brothers' adaptation of Cormac McCarthy's No Country for Old Men too lighthearted, John Hillcoat's version of the author's post-apocalyptic novel might hit the spot. It's a sci-fi Waiting for Godot with cannibalism and family values. A father (Viggo Mortensen) and son (Kodi Smit-McPhee) push a shopping cart through a landscape of ash, dodging gangs of cannibals. The cause of the cataclysm is never revealed, and it doesn't matter — this isn't a cautionary tale, but it does teach a moral in its most wrenching sequence, a kind of reverse Good Samaritan parable. "We are carrying the fire," the Man tells his Son, and it is in such scenes that the fire burns brightest.

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Related: Review: The Road, Review: Brothers, Review: Crazy Heart, More more >
  Topics: Features , Celebrity News, Entertainment, John Hillcoat,  More more >
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ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: EDGE OF DARKNESS  |  February 02, 2010
    A new genre is emerging in which aging A-list actors play fathers off on a rampage to rescue their daughters or avenge their deaths.
  •   REVIEW: FROZEN  |  February 03, 2010
    A storm is coming, the girl has to pee, and then things get much worse.
  •   KAREN SCHMEER: 1970-2010  |  February 02, 2010
    Karen Schmeer, the brilliant local film editor whose work on Errol Morris's documentary The Fog of War helped win it the Best Documentary Oscar in 2004, died January 29 in a tragic accident, struck by a getaway car as she was crossing a street in Manhattan. She would have turned 40 on February 20.
  •   IS THERE 'HOPE' IN HOLLYWOOD?  |  January 29, 2010
    Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
  •   REVIEW: WAITING FOR ARMAGEDDON  |  January 27, 2010
    Much scarier than 2012 is this documentary about the death grip that fundamentalist religious groups have on American politics.

 See all articles by: PETER KEOUGH

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