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Nominate-best-2010

2009: The year in movies

By PETER KEOUGH  |  December 28, 2009

 

6. Inglourious Basterds
One of the few unambiguous guilty pleasures in cinema is watching Nazis die. Quentin Tarantino doesn't spoil that pleasure, but he does make you think about it, as well as share his own delight in cinematic intertextuality. His most appealing character is SS Colonel Hans Landa (Christoph Waltz), who's never more charming than when he massacres the family of Shosanna Dreyfus (Mélanie Laurent). She survives to cross paths with Lieutenant Aldo Raine (Brad Pitt), an American who's leading his Dirty Dozen–like Inglourious Basterds, a commando unit of Jewish volunteers, in a mission to assassinate Hitler. The climax is the antithesis of the sentimentality of Giuseppe Tornatore's Cinema Paradiso. It's nasty and exhilarating stuff — but so too, sometimes, is the stuff of cinema.

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  Topics: Features , Celebrity News, Entertainment, John Hillcoat,  More more >
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ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: EDGE OF DARKNESS  |  February 02, 2010
    A new genre is emerging in which aging A-list actors play fathers off on a rampage to rescue their daughters or avenge their deaths.
  •   REVIEW: FROZEN  |  February 03, 2010
    A storm is coming, the girl has to pee, and then things get much worse.
  •   KAREN SCHMEER: 1970-2010  |  February 02, 2010
    Karen Schmeer, the brilliant local film editor whose work on Errol Morris's documentary The Fog of War helped win it the Best Documentary Oscar in 2004, died January 29 in a tragic accident, struck by a getaway car as she was crossing a street in Manhattan. She would have turned 40 on February 20.
  •   IS THERE 'HOPE' IN HOLLYWOOD?  |  January 29, 2010
    Buoyed by President Barack Obama's campaign slogan, many had hopes for change after his election.
  •   REVIEW: WAITING FOR ARMAGEDDON  |  January 27, 2010
    Much scarier than 2012 is this documentary about the death grip that fundamentalist religious groups have on American politics.

 See all articles by: PETER KEOUGH

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