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In the art world, "commercial" and "decorative" often seem like dirty words. Molly Rosner embraces them. "Contemporary art is mainly conceptual now," says the BU College of Fine Arts senior. "I kind of think it's all bullshit. . . . I like art that's bright and colorful and makes me happy." That's clear from her on-campus solo exhibition, "Dream House," which closes this week — but Rosner hopes this is just the beginning. Dream House is also the name of her newly launched décor and lifestyle brand, featuring original paintings, photography, prints, posters, tees, and postcards that draw on vintage imagery from the 1940s to the '60s, from Rosie the Riveter to Vargas pinups. Cofounded with her business-minded best friend and roomie, Julie Jackson, and created in concert with a team of fellow artists and stylists, Dream House will offer pieces at a range of price points: an original painting might sell for $800, a print for half that, a poster for just $30. "We want it to be accessible to college students, accessible to everyone," says Rosner. Check out her work at her show's closing party on February 15, and learn more at instagram.com/dreamhouseteam."DREAM HOUSE" CLOSING PARTY:: BU College of Fine Arts, 855 Comm Ave, Gallery 5, Boston :: February 15 :: 6 to 9 pm :: Free
Related:
Rant: We need more artists!, Alternative universe, Photos: Boston's Combat Zone, Burlesque (NSFW), More
- Rant: We need more artists!
There's just not enough art to festoon all the walls in all the coffee/sandwich/burrito/gelato/bagel/pizza/frogurt shops in this great art-loving, snack-loving city of ours.
- Alternative universe
In the 1930s and '40s, Boston painters developed a moody, mythic realism. They mixed social satire with depictions of street scenes, Biblical scenes, and mystical symbolic narratives, all of it darkened by the shadow of the Great Depression and World War II.
- Photos: Boston's Combat Zone, Burlesque (NSFW)
Images from Boston's Combat Zone at Howard Yezerski Gallery and the "Henry Horenstein: Show" at Walker.
- Purposeful randomness
"How do I absorb all this beauty," Leslie Schomp writes in Diary (2010), an open cloth notebook resting on a wood stand.
- A walk on the wild side
Everyone looks so weary in Howard Yezerski Gallery's gritty documentary photos of Boston's dear departed Combat Zone from 1969 to 1978. The year's still young, but this glimpse into our past from Roswell Angier, Jerry Berndt, and John Goodman may be one of the best shows of 2010.
- Subject bias
"Objects of Wonder" is a mixed bag of a show, which is what it sets out to be.
- The outside world
For some time now, Providence artist Adrianne Evans has been mulling natural processes in her art.
- Ravishing beauty
The wreckage at the end of Modernist art's main thrust is the starting point for "Pat Steir: Drawing Out of Line," a four-decade retrospective of the New Yorker's drawings at the RISD Museum.
- Re-structuring
Three large oil paintings overwhelm the lobby at the Portland Museum of Art, introducing the show "Division and Discovery: Recent Works by Frederick Lynch," a beautiful and meditative collection found on the fourth floor of the museum.
- Deep blue
If you’re going to explore the cosmos, better do it at night.
- Cowboy junkie
England in the mid-’80s, gray and depressed by Thatcherism and the Smiths, wasn’t a place folks typically dressed to the nines in ten-gallon hats, bolo ties, and Nudie shirts. But such were the sartorial choices made those days by the members of the Mekons.
- Supporting the arts
They haven't paid you in how long?
- Less
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