Putumayo Presents Americana

Putumayo
By WERNER TRIESCHMANN  |  September 18, 2007
1.5 1.5 Stars
inside_PUTUMAYO-PRESENTS-AM
Gathering 12 “contemporary singer-songwriters” who “explore America’s rural musical roots,” this well-intentioned collection gives the impression that America’s musical history consists of polite coffeehouse country/bluegrass/folk tunes that wouldn’t rouse a sleepy Prairie Home Companion listener. By including New York City’s the Little Willies — a band who happen to have a singer named Norah Jones — Putumayo demonstrates that it’s not exactly beating the bushes for fresh talent. (And if playing it safe is the label’s intention, then there are some pretty obvious omissions, like Lucinda Williams and Ryan Adams.) Mulehead’s rough-voiced ballad “Frankie Lee” and Eliza Lynn’s piano-driven “Sing a New Song” have the kind of musical quirks that hint at something genuine. But most of what you’ll find here is about as appealing as the disc’s candy-colored cover, which has got to be in the running for one of the ugliest of the year.
Related: Split personality, O, Canada!, Border crossings, More more >
  Topics: CD Reviews , Norah Jones, Culture and Lifestyle, Beverages,  More more >
| More


Most Popular
ARTICLES BY WERNER TRIESCHMANN
Share this entry with Delicious
  •   THE WHIGS: MISSION CONTROL  |  March 05, 2008
    The Whigs began life as a guitar/bass/drums college band toiling away in Athens.
  •   REBA MCENTIRE  |  February 12, 2008
    Reba McEntire became famous in the 1980s, when country music consisted of ballads as big as the hair of the singers who sang them.
  •   SIDESHOW AND TELL  |  January 28, 2008
    She goes by the name Baby Dee, even though she was born in Cleveland in 1953.
  •   LITTLE BIG TOWN  |  December 31, 2007
    Although you may wish that the first single wasn’t about life on the road, even it is soaked in a sweetness that’s too rare these days.
  •   KENNY CHESNEY  |  December 03, 2007
    Chesney has built his sizeable country empire on selling Jimmy Buffett–like beach fantasies with guitar-fueled mid-tempo frat rock.

 See all articles by: WERNER TRIESCHMANN