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Nick ( Jesse Eisenberg), a pizza delivery guy, rips off some adolescents — boys from the same demographic the movie is pitched to — promising them something fun and illicit and then just taking their money. You kids about to pay 10 bucks to see this, take that as a warning.
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Even as she faces the very real possibility of defeat this November, Pressley is receiving support and gushing praise from most of Boston's political figures.
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Union flags were flown, loud music roared, and fleets of motorcycles rumbled, as several thousand people marched for civil rights and human dignity, and, in at least one case, to scold moguls for banking gross salaries at the expense of workers.
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Red Lantern's menu (and the design of the giant room) hedges its bets — there's a decent sushi bar, a drinking bar with sports on the TVs, a flurry of hot-pot tables, and some serious steaks.
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As it turns out, according to Tate Taylor's adaptation of Kathryn Stockett's bestseller, the Jim Crow era was not due to centuries of institutionalized racism, but to Hilly Holbrook (Bryce Dallas Howard) and her hang-up about "colored" servants going to the bathroom.
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The giant monkey of Danville was my symbol, back then, of the fin-de-siècle nadir in media fluffery, thankfully obsolesced in one grim morning.
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