Boston Movies and Films - Boston Theatres and Showtimes

Review: Black Dynamite
A rush of ’70s nostalgia you never knew you had BY SHAULA CLARK

Purple's prose makes for wrenching melodrama

Review: The Messenger
The Iraq War hits suburbia
Review: The Blind Side
Despite what you may think, it's not a Sandra Bullock movie
Review: Bronson
Tom Hardy is mesmerizing
Review: Planet 51
Even aliens get paranoid sometimes
Review: Pirate Radio
Richard Curtis’s boat rocks
Review: 2012
Doom and doomer: the bullshit hits the fans
Review: The Box
David Kelly boxes himself in
Review: Black Dynamite
A rush of ’70s nostalgia you never knew you had
Review: Within the Whirlwind
Emily Watson faces her accusers
Review: William Kunstler: Disturbing the Universe
What’s it like being the young daughters of this John Brown–like presence?
Review: (Untitled)
Jonathan Parker's a little too comfortably bourgeois
Review: Ten9Eight: Shoot for the Moon
Spellbound with spreadsheets, but without character development
Review: The Maid
Sebastián Silva’s textured routines
Review: The Men Who Stare at Goats
Bleating hearts tame Goats

A hidden gem discovered in Harlem

Prince of darkness
Gordon Willis at the Harvard Film Archive
Totally clips of the heart
Foraging with the Found Footage Festival’s Nick Prueher
Interview: Lone Scherfig
An Educated Lady
Hardboiled hub
The city’s gritty, criminal underbelly has redefined the dark, artistic vision known as Boston noir
Interview: Lars von Trier of Antichrist
The director on the redeeming qualities of Antichrist
Interview: Jesse Eisenberg and Woody Harrelson
Picking the brains of Zombieland 's stars
Interview: Colin Beavan
It's not easy going green
Crimson green
Banned director Jafar Panahi on Iran's vicious circle
Reykjavik International Film Festival 2009
Report back from Iceland amidst lamb hot dogs, and fish and chips.
True romance
Jane Campion directs the best movie ever made about John Keats.
Interview: Robert Siegel
On the shoulders of Giants fans
Assholes rule
Max is the Minimum
October lite
The outlook is still gloomy, but film finds time for childish things
Interview: Uli Edel
The Baader Meinhof Complex director talks about terror and glamour