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Union flags were flown, loud music roared, and fleets of motorcycles rumbled, as several thousand people marched for civil rights and human dignity, and, in at least one case, to scold moguls for banking gross salaries at the expense of workers.
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Even as she faces the very real possibility of defeat this November, Pressley is receiving support and gushing praise from most of Boston's political figures.
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Andrew W.K. is a wild man who wails through songs that usually boast a blitzkrieg temperament.
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Red Lantern's menu (and the design of the giant room) hedges its bets — there's a decent sushi bar, a drinking bar with sports on the TVs, a flurry of hot-pot tables, and some serious steaks.
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In the new production at the American Repertory Theater, directed by Diane Paulus, Messrs. Heyward and Gershwin have been reworked by two actual African-Americans: two-time Obie Award winner Diedre L. Murray and Suzan-Lori Parks, the first African-American woman to win the Pulitzer Prize.
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The giant monkey of Danville was my symbol, back then, of the fin-de-siècle nadir in media fluffery, thankfully obsolesced in one grim morning.
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At this year's edition, there was very little you couldn't call jazz — maybe Afropop star Angelique Kidjo or, if you were being especially churlish, New Orleans trombonist and trumpeter Troy "Trombone Shorty" Andrews, with his funk-heavy set.
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