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Battles | Gloss Drop
CD Reviews
Black Dice | Repo
Paw Tracks (2009)
By
MICHAEL PATRICK BRADY
|
April 6, 2009
Black Dice | Repo
" alt="photo of 'Black Dice | Repo'">
2.5
Stars
Spearheaded by Brooklyn trio Black Dice and their peers, American noise rock is less like the pure noise of Merzbow and more like a renewal of dark, grinding industrial rhythms. Indeed, much of Black Dice's fifth album smacks of SPK or Cabaret Voltaire, and when they follow those influences, their work is often compelling.
"Lazy TV" and "La Cucaracha" are surprising and spontaneous, even as their pulsing, mechanistic beats sound like the dying groans of decaying machinery. When the group try to get less synthetic and give their compositions shape and danceability, however, their efforts are weak and half-hearted. "Earnings Plus Interest" could belong to a compilation of breakbeats intended for sampling, the band lazily drooping digital squiggles on the drum loop. "Vegetable" makes use of a loosely tuned acoustic guitar that flanges tediously back and forth for a brief two minutes; it sounds like an Animal Collective cast-off.
And for an experimental album,
Repo
does little to elaborate on the formula Black Dice plotted on
Creature Comforts
and
Load Blown
. Fans will welcome the grotesquely titled "Ultra Vomit Craze" and "Gag Shack," reveling in subtle mood shifts found amid the ferocious racket. Skeptics and nay-sayers will remain unconvinced of the genre's ability to move beyond bratty outbursts.
Related
:
Make it new!
,
Pop in a hard place
,
Photos: Arisia 2011
,
More
Make it new!
Not to make too big a deal out of this or anything, but holy shit this spring is huge. Think about it: it's the first spring following a long, drawn-out winter made longer and more drawn-out by a grueling two-year election that overturned eight even longer years of dreary uncertainty and near-constant suckage.
Pop in a hard place
The norms Black Dice resist are significant and strong and worth resisting.
Photos: Arisia 2011
Sci-fi and fantasy fans attend Arisia 2011 at the Westin Boston Waterfront Hotel at January 14-17, 2011.
Photos: Shadow-casts of Arisia 2012
Performers in the shadow-casts of Arisia 2012, from Repo! The Genetic Opera to Dr. Horrible's Sing-Along Blog to The Nightmare Before Christmas | Westin Boston Waterfront | January 13-15, 2012
Paper Thin Stages
For their new album the band wrangle originally non-discrete material into 11 song-like morsels.
Second job
Tyler Ramsey is currently touring the country pulling double duty as both a solo singer-songwriter and a recent-addition guitarist in Band of Horses.
O, Canada!
You’d be forgiven for assuming that nothing’s been going on in Canada for the last few years beyond the interconnected shenanigans of that country’s indie-rock elite.
In with the in crowd
I knew a girl named Juliette who moved to Queens in her junior year of high school.
Various artists
What happened to the label that made college kids feel good about hip-hop in an era when gangstas ruled the streets?
Israeli upstarts
The sound of angry Israeli youth mocking the extreme right is growing in volume, so much so that it’s now reaching the US.
The Color Fred
It shouldn’t come as any surprise that Bend To Break sounds a whole lot like Foo Fighters.
Less
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ARTICLES BY MICHAEL PATRICK BRADY
THE FALL | YOUR FUTURE OUR CLUTTER
| April 27, 2010
If you didn’t know any better, you might think that Your Future Our Clutter is a recording of a raving old lunatic heckling a very solid instrumental band.
SAM AMIDON | I SEE THE SIGN
| April 15, 2010
Sam Amidon is fascinated with the songbook of old Americana, and his radical yet tasteful reimaginings of traditional folk ballads and hymns breathe new life into a form often seen as quaint and old-fashioned.
RED SPAROWES | THE FEAR IS EXCRUCIATING, BUT THEREIN LIES THE ANSWER
| March 30, 2010
Post-rock bands are like silent-film actors — bereft of words, they tend to use broad gestures to ensure that you get the point.
THESE NEW PURITANS | HIDDEN
| March 09, 2010
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
CLOGS | THE CREATURES IN THE GARDEN OF LADY WALTON
| March 03, 2010
Fusion experimenters Clogs take a modern approach to folk-flavored chamber music.
See all articles by:
MICHAEL PATRICK BRADY
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