The Phoenix Network:
The Phoenix
Boston
|
Portland
|
Providence
STUFF Boston
WFNX
Live Radio
|
On Demand
Tu Boston
About
|
Advertise
Moonsigns
|
Band Guide
|
Blogs
|
In Pictures
Music
Big Hurt
|
CD Reviews
|
Classical
|
Jazz
|
Live Reviews
|
Music Features
See all in CD Reviews
Battles | Gloss Drop
CD Reviews
Bill Frisell | Disfarmer
Nonesuch (2009)
By
JON GARELICK
|
July 15, 2009
Bill Frisell | Disfarmer
" alt="photo of 'Bill Frisell | Disfarmer'">
3.5
Stars
Guitarist Frisell is one of jazz's great impressionists, and here he has the perfect subject for one of his audio mini-movies: the eccentric Arkansas portrait photographer Michael Disfarmer. Commissioned to write music based on Disfarmer's rustic 1939-45 photos of country folk, Frisell produced 26 pieces clocking in at 71:43 total, some no more than a minute or two.
He assembled one of his superb chamber-country bands to play it: violinist Jenny Scheinman, bassist Viktor Krauss, and Greg Leisz on steel guitars and mandolin. Melodies drift in over understated shuffle rhythms, lift off in fiddle arias, dissolve in loops and soft clouds of electric guitar harmony. There are country, rockabilly, and blues standards along the way — "That's Alright, Mama," "Lovesick Blues," "I Can't Help It (If I'm Still in Love with You").
So Elvis and Hank keep us company in the otherwise lonesome surround. But original group-improv vignettes like "Shutter, Dream" (nearly epic at 4:24) are more to the point — its wound-up music box intro and click-and-whir musical conversation capture what Frisell says he wanted: the sound of Disfarmer looking through the lens.
Related
:
Best in their field
,
Review: Jim Hall and Bill Frisell, Hemispheres
,
Moving fast and standing still
,
More
Best in their field
The jazz scene continues to struggle — along with everyone else — through hard times.
Review: Jim Hall and Bill Frisell, Hemispheres
What makes Hemispheres such a successful collaboration is not that Jim Hall and Bill Frisell meet in the middle but that they start there and extend outward.
Moving fast and standing still
Every melody was a rhythm, every rhythm a melody, and the pieces developed slowly, big, cloud-like shapes building up to thunderheads, only occasionally breaking into thunder.
Fearful asymmetry
Carla Bley’s local appearances are so rare that each one is an event.
The articulate melodic eloquence of Bill Frisell
Many of us have embarrassing moments in our past, but when one of the hippest jazz dudes around admits to donning a leisure suit and playing in a show band, you prepare for a wince on the seismic level.
Old favorites and debuts make the scene
We have to wait for spring to see Charlie Haden's Quartet West and the Joshua Redman/Brad Mehldau duo, but there are still plenty of ways to keep an eye and ear on jazz in the winter months.
Lows, highs, and middles
Yousuf Karsh is one of the giants of portrait photography.
Year in Jazz: Playing for keeps
Year in pictures
Imagery 2008
Review: ''Backstage Pass'' at the PMA
The half-century chronology covered by the Portland Museum of Art's latest exhibition, "Backstage Pass," reveals in photographic portraiture a story of music that is a euphemism for the ultimate creative act. Like sex, rock-and-roll is about surrender to the present moment.
Dam cute
There has been a great wave of Cute in Japanese contemporary art in recent years — colorful nodding mushrooms and balloons from Takashi Murakami, big-headed kiddies and doggies from Yoshitomo Nara, and Dark Cute in the form of movies like Hayao Miyazaki’s Spirited Away .
Less
Topics
:
CD Reviews
,
Pete Wentz
,
Culture and Lifestyle
,
History
,
More
,
Pete Wentz
,
Culture and Lifestyle
,
History
,
Photography
,
Art History
,
Cultural History
,
Bill Frisell
,
Bill Frisell
,
Bill Frisell
,
Jenny Scheinman
,
Less
|
More
ARTICLES BY JON GARELICK
THE FRINGE AT 40
| May 15, 2012
"I'm feeling a little light-headed," George Garzone told the audience last Saturday at the Boston Conservatory Theater, closing his eyes and bringing a hand to his brow.
THE 2012 NEW ORLEANS JAZZ & HERITAGE FESTIVAL
| May 04, 2012
New Orleans Notes
ESPERANZA SPALDING’S “SOCIETY”
| April 18, 2012
The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
WALT WHITMAN VIA FRED HERSCH
| April 19, 2012
The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.
JAZZ PIANIST AND COMPOSER DAN TEPFER WOULD TAKE ON THE GOLDBERG VARIATIONS
| April 19, 2012
Jazz and Bach have always made good company.
See all articles by:
JON GARELICK
LATEST SLIDESHOWS
PHOTOS: NATO demonstrations in Chicago
Photos: The Fringe at the Boston Conservatory Theater
All Slideshows
Featured Articles in CD Reviews
:
Zambri | House of Baasa
Beach House | Bloom
Santigold | Master Of My Make-Believe
Jack White | Blunderbuss
Alabama Shakes | Boys & Girls
|
Sign In
|
Register
thePhoenix.com:
Home
Listings
Editor's Picks
News
Music
Film + TV
Food + Drink
Life
Arts
Rec Room
Video
Phoenix Media/Communications Group:
Boston Phoenix
Portland Phoenix
Providence Phoenix
STUFF Boston
WFNX Radio
People2People
MassWeb Printing
G8Wave
About Us
Contact Us
Privacy Policy
Advertise With Us
Work For Us
Sitemap
RSS
Mobile
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group