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Photos: Boston Ballet's World Passions

Photos from the Boston Ballet's "World Passions" at the Opera House
Photos of the Boston Ballet's "World Passions" collection, including Jorma Elo's Carmen ; Helen Pickett's Tsukiyo ; Viktor Plotnikov's Rhyme ; and Marius Petipa's Paquita.
By ERIC ANTONIOU  |  October 26, 2009
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Both ears and the tail for this Carmen

Boston Ballet's 'World Passions'
"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
By JEFFREY GANTZ  |  October 28, 2009
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Definitions

Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
By MARCIA B. SIEGEL  |  October 28, 2009
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No place like home

Boston Ballet's Giselle fits right in
The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
By JEFFREY GANTZ  |  October 07, 2009
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Photos: Boston Ballet's Giselle

Photos from the Boston Ballet's Giselle , opening October 1, 2009
Giselle at the Boston Opera House
By ERIC ANTONIOU  |  October 02, 2009
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Smaller, bigger, better

Boston Ballet’s fourth ‘Night of Stars’
Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
By JEFFREY GANTZ  |  September 22, 2009
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Terpsichore's delight

A season of foot (and body) work
There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
By DEBRA CASH  |  September 14, 2009
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Dancing in a new direction

Notes from 'Ballets Russes 2009'
The 100th birthday of Serge Diaghilev's Ballets Russes prompted the expected centennial tributes in Boston: a "Diaghilev's Ballets Russes 1909–1929: Twenty Years That Changed the World of Art" symposium and exhibition at Harvard University in April, and a "Ballets Russes 2009" festival this month.
By JEFFREY GANTZ  |  June 01, 2009
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Setting the Wang on fire

Boston Ballet's 'Ballets Russes'
Burning down the house” is a metaphor, but at the Wang Theatre last weekend, the Boston Fire Department was on hand to ensure that it remained one.
By JEFFREY GANTZ  |  May 20, 2009
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Slideshow: Ballets Russes at the Wang

Diaghilev's Ballets Russes Centennial Celebration
Boston Ballet performs "Diaghilev's Ballets Russes Centennial Celebration" at the Wang Theater
By ERIC ANTONIOU  |  May 15, 2009
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The real deal

Boston Ballet's Sleeping Beauty
Nineteenth-century ballets are not all alike. But Boston Ballet's Sleeping Beauty is the real McCoy.
By BY MARCIA B. SIEGEL  |  April 29, 2009
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Brava Larissa!

Boston Ballet opens The Sleeping Beauty
The end of an era loomed last night as Boston Ballet opened The Sleeping Beauty — what's likely to be the last story ballet ever to be staged at the Wang Theatre.
By JEFFREY GANTZ  |  April 29, 2009
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Long-lasting launch pad

Ballets Russes week at Harvard
Of the nearly 70 ballets that made up the repertory of Serge Diaghilev's Ballets Russes, only a few inhabit our stages today. But the Diaghilev adventure still inspires legions of choreographers, antiquarians, archivists, scholars, and gossips.
By MARCIA B. SIEGEL  |  April 21, 2009
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Boston's Best Arts and Entertainment 2009

What a difference 100 years makes  
We are a culture-rich city — a veritable cauldron of talent and fun, and have been so since Anne Bradstreet inscribed the gates of Harvard. In Boston, the arts never stand still.
By BOSTON PHOENIX STAFF  |  April 16, 2009
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Mad love

John Harbison's Winter's Tale, Dvorák's Rusalka, Hans Graf with the BSO, Mark Morris's music
The destructive power of jealousy makes a good subject for opera.
By LLOYD SCHWARTZ  |  March 24, 2009
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Diaghilev days

The Ballets Russes come to town
The Ballets Russes come to town
By DEBRA CASH  |  March 19, 2009
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More new than old

Hope gets its close-up at Festival Ballet
Artistic director Mihailo "Misha" Djuric has a polished ensemble of dancers and impressive choreographers at the Festival Ballet Providence.
By JOHNETTE RODRIGUEZ  |  March 11, 2009

More Jewels


Get your Jewels bearings
By JEFFREY GANTZ  |  March 04, 2009
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Slideshow: Boston Ballet's Jewels

 Boston Ballet performs George Balanchine's Jewels .
Photos from George Balanchine's Jewels, performed by the Boston Ballet.
By ERIC ANTONIOU  |  February 27, 2009
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Crowning glory

Boston Ballet's Jewels at the Wang Theatre.
In 1967, George Balanchine created Jewels for New York City Ballet, and in short order this evening-length triptych — Emeralds , Rubies , and Diamonds — became the crown jewel of 20th-century dance.
By JEFFREY GANTZ  |  March 04, 2009
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Review: Jiří Kylián's Black and White at Boston Ballet

Dance noir
The Czech choreographer/Nederlands Dans Theater director made an evening out of five pieces — No More Play, Petite Mort, Sarabande, Falling Angels, and Sechs Tänze — he'd created between 1986 and 1991.
By JEFFREY GANTZ  |  February 19, 2009
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Adam and Eve

It's boy-meets-girl at New York City Ballet
A day at New York City Ballet that starts with a matinee of Coppélia and ends with a Balanchine evening might seem to offer merely the contrast between classic and modern, old and new.
By JEFFREY GANTZ  |  January 13, 2009
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Sizzling frost

Dance heat 2009
The winter dance season starts out promoting international coexistence.
By DEBRA CASH  |  December 29, 2008

Year in Dance: Reusable histories & durable trends

No startling breakthroughs, but that's okay
Conservation is a good thing in these times, and some of the most interesting performances drew on the uses of history — personal history, performance history, and even some inventions that sought to overturn history.
By MARCIA B. SIEGEL  |  December 24, 2008
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Not so great

San Francisco's Nutcracker on PBS
Way back in 1977, PBS gave us a Nutcracker with a difference: Mikhail Baryshnikov as an electrifying Nutcracker/Cavalier and willowy Gelsey Kirkland as an older-than-usual Clara, as the Sugar Plum Fairy.
By JEFFREY GANTZ  |  December 02, 2008
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Smaller is better

Boston Ballet's Nutcracker at the Opera House
Next fall, Boston Ballet will move all its performing operations to the Opera House from Citi Performing Arts Center's immense and unfriendly Wang Theatre.
By MARCIA B. SIEGEL  |  December 05, 2008
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Intimate moves

Festival Ballet’s “Up CLOSE, on HOPE”
What began as a way to give audiences a closer look at its dancers and choreographers an opportunity to showcase new work has become an integral part of Festival Ballet Providence’s season: the “Up CLOSE, on HOPE” series.
By JOHNETTE RODRIGUEZ  |  November 05, 2008
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Mood swing

The emotional gamut of Festival Ballet’s  Giselle
She is Giselle, the peasant girl of Adolph Adam’s ballet, and she’ll come to the VMA Arts & Cultural Center once again via Festival Ballet Providence.  
By JOHNETTE RODRIGUEZ  |  October 22, 2008
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Wising up

James Kudelka’s Cinderella at Boston Ballet
Sergei Prokofiev’s two classical ballets invariably find Boston Ballet playing the dating game.  
By JEFFREY GANTZ  |  October 22, 2008
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State of the art

Boston Ballet’s third ‘Night of Stars’
Maybe it’s the economy, but Boston Ballet’s third-annual season-opening gala was a sober evening, without the orchestral overture that graced the first two affairs.  
By JEFFREY GANTZ  |  October 17, 2008

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