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Flawless

Strange but slickly done
By TOM MEEK  |  March 27, 2008
2.5 2.5 Stars
FLAWLESSinside
Michael Caine and Demi Moore

Demi Moore in a British heist caper and dressed like Jackie O? Strange but true, and it works as Moore plays Laura Quinn, an American businesswoman up against the glass ceiling in 1960s London. Quinn toils ceaselessly for the fat cats at an international diamond exchange. Her thanks? She’s passed over and, later, played for the goat when a mine disaster triggers political repercussions with South African and Russian counterparts. The “blood diamond” edge never gets honed; instead, the film moves into bank-job territory when Mr. Hobbs (a cagy Michael Caine), the kindly janitor, enlists Laura’s help in jacking the vault. Veteran director Michael Radford (Il postino, Nineteen Eighty-Four) navigates the twists and turns adroitly, and given the muddled premise, this is a slick piece of filmmaking. But all the sparkling facets don’t make it a precious gem. 85 minutes | Kendall Square
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ARTICLES BY TOM MEEK
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  •   REVIEW: GOD BLESS AMERICA  |  May 17, 2012
    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
  •   REVIEW: THE PIRATES! BAND OF MISFITS  |  April 24, 2012
    Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
  •   REVIEW: GOD BLESS AMERICA  |  April 18, 2012
    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
  •   REVIEW: UNDEFEATED  |  March 15, 2012
    Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
  •   REVIEW: DR. SEUSS' THE LORAX  |  March 01, 2012
    Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.

 See all articles by: TOM MEEK



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