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Leatherheads

A plucky play that takes its eyes off the ball
By TOM MEEK  |  April 9, 2008
2.5 2.5 Stars
Leatherhead1s2_inside
TACKLED: George Clooney glorifies the good ol' days of American football.

Behind the camera and in front of it, George Clooney has glorified screwjobs (Chuck Barris) and romanticized bygone eras (Murrow versus McCarthy). Here he does both, tackling the early days of pro football when it was more of a circus spectacle than a game of skill. The premise, cooked up by two SI scribes, has post-WWI pro pigskin on the verge of collapse, so Clooney’s “Dodge” Connolly, an aging man boy who wants a few more snaps, contrives a scheme to bring heralded Princeton halfback and national war hero Carter “The Bullet” Rutherford ( John Krasinski) into the huddle. Fans and funds run flush until details of Carter’s wartime heroics come under fire from can-do gal reporter Lexie Littleton (Renée Zellweger). The ensuing love triangle and male rivalry don’t hold much mud, but the themes of economic uncertainty and sports scandal (Spygate, anyone?) echo the now. It’s a plucky play that never quite runs to daylight. 114 minutes | Boston Common + Fenway + Fresh Pond + Circle + suburbs
Related: Non-starter, Hell on earth, And justice for one . . ., More more >
  Topics: Reviews , Celebrity News, Entertainment, George Clooney,  More more >
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ARTICLES BY TOM MEEK
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    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture ( i.e. , Paris Hilton, the Kardashians, and American Idol ) and the indignity of being an office drone.
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    Peter Lord, animator behind claymation staples Wallace & Gromit and Chicken Run , directs this very British, very dry romp on the high seas during the time when Britannia did indeed rule the waves.
  •   REVIEW: GOD BLESS AMERICA  |  April 18, 2012
    The latest dark comedy from Bobcat Goldthwait tackles both vapid celebrity culture (i.e., Paris Hilton, the Kardashians and American Idol) and the indignity of being an office drone.
  •   REVIEW: UNDEFEATED  |  March 15, 2012
    Dan Lindsay and T. J. Martin's Oscar-winning documentary about an underequipped high-school football team competing against big-time programs across Tennessee offers a potent contemplation on race and opportunity.
  •   REVIEW: DR. SEUSS' THE LORAX  |  March 01, 2012
    Regrettably, this team loses a lot of Seuss's quirkiness, though not the message about corporate greed and slash-and-burn imperialism.

 See all articles by: TOM MEEK



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