The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Review: Timecrimes

Bumbling farce gives way to existential horror
By PETER KEOUGH  |  January 20, 2009
3.5 3.5 Stars


VIDEO: The trailer for Timecrimes

It all started with a simple act of voyeurism. Or did it? Poor Héctor (Karra Elejalde) is sitting in his back yard when he spots a woman (Bárbara Goenaga) taking off her top. He goes to investigate; before he knows it, he has a body on his hands and is being chased by a stranger whose face is covered with bloody bandages. How will he ever explain this to his wife (Candela Fernández)?

And isn't that himself with a pair of binoculars chatting with her on the lawn? These are just a few of the problems involved with getting transported two hours into the future, and in LosCronocrímenes, first-time director Nacho Vigalondo makes a virtue of minimal production values as he pursues, with austere, Buñuelesque black comedy, the paradoxes of time-travel.

Bumbling farce gives way to existential horror as the deeper implications of the process reveal truths about desire, identity, fate, and death that make Héctor a man wise before his time.

Related: Review: Friday the 13th (2009), Review: The Haunting in Connecticut, Review: Drag Me To Hell, More more >
  Topics: Reviews , Poor Hector, time travel, Horror,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/16 ]   3rd Annual Boston Chili Cup  @ Ned Devine's
[ 02/16 ]   Boston Conservatory Dance Division  @ Boston Conservatory Theater
[ 02/16 ]   Jim Gaffigan  @ Wilbur Theatre
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed