The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Review: The Jester

Celebrating show business and religious tradition
By PETER KEOUGH  |  March 24, 2009
3.0 3.0 Stars

09320_jester_main

The National Center for Jewish Films adds to its invaluable collection of restored Yiddish films with Joseph Green & Jan Nowina-Przybylski's Der Purimshpiler, a 1937 musical comedy that will screen at the ICA next Thursday as part of Jewishfilm.2009.

Getsel (Jonas Turkow), a sad-sack wanderer, enters a humble Polish town in Galicia in search of work. The gruff, good-hearted local shoemaker offers him a home, but Getsel has his eye on Esther (Miriam Kressyn), the shoemaker's flighty daughter and an ear-shattering soprano. Esther, however, has taken a shine to a Jolson-like circus sharpie. Meanwhile, the shoemaker has inherited a fortune and wants to marry Esther off to a rich man's son.

The film celebrates show business as much as it does folk and religious tradition, highlighting the transformation of the shtetl's homely joys and woes into schmaltzy performances in Warsaw cabarets. But underlying the joie de vivre is melancholy and the knowledge that this "romantic world" was erased by Nazi barbarism.

Related: Tattoo you, Now playing — RISD: The Musical!, Good Fela! beats Nigerian drum, More more >
  Topics: Reviews , Entertainment, Musicals, ICA
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/16 ]   Boston Conservatory Dance Division  @ Boston Conservatory Theater
[ 02/16 ]   Jim Gaffigan  @ Wilbur Theatre
[ 02/16 ]   "Raw Milk Debate"  @ Harvard Law School
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.
  •   REVIEW: JOURNEY 2: THE MYSTERIOUS ISLAND  |  February 07, 2012
    I liked the tiny elephants and the Rock bouncing berries off his pecs, but Brad Peyton's sequel is as bad as the 2008 original.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed