Goodbye, hello!

  Bright Night Providence will ‘ooh!’ and ‘aah!’ you into the New Year
By BILL RODRIGUEZ  |  October 27, 2008
 If anyone can get their act together, it should be musicians, storytellers, actors, puppeteers, acrobats, and the like. That’s proving true for the third year in a row, as the performer-run Bright Night Providence celebrates New Year’s Eve in 17 venues around downtown Providence, with more than 125 entertainers presenting more than 50 performances on the afternoon and evening of December 31 — from poetry slams to belly dancing.

Plenty of flash and bang will grab our attention, with a special mini-edition of WaterFire Providence blazing around the Waterplace Park basin, and two fireworks displays — one concluding the 5:30 pm opening ceremonies at the skating rink across from City Hall, and a larger display at midnight, both cascading over the State House.

Children’s activities have been increased, beginning with fiddle music and stories by Mary King and Melanie Cabell at 12:30 pm at the Providence Children’s Museum, and continuing with music and storytelling by Keith Munslow and Bill Harley, beginning at 5 pm at the First Baptist Church. Knife-throwers, a mentalist, and several magicians will also perform.

The headlining act this year will be the juggling duo the Passing Zone, performing at 6, 8, and 10 pm at the Providence Performing Arts Center (see sidebar).

For children of all ages, the Big Nazo rock ’n’ roll puppet extravaganza will rattle the rafters at the URI-Shepard Building. For those looking for a calmer experience, choral music by Ocean State Children’s Chorus, Narragansett Bay Chorus, and WomenSpiritRising will be offered at Grace Church.

The Banished Fools will provide roving music here and there. Other strains will include the traditional music of Sam Hill and Steve Jobe, Celtic music by Trouze Bras and Pendragon, and hip-hop by DJ Statik & the Neon Soul Collective, plus Atwater & Donnelly, Alec K. Redfearn, Michael Bresler, the Superchief Trio, Dave Howard and the High Rollers, and the Lucky Band. Improvisational comedy will be presented by Improv Jones, the Speed of Thought Players, and the Unexpected Company.

Fusionworks Dance Company will step lively. Installation art will be on view in Westminster Street storefronts, with light sculptures by Dorothy Abrams and a video installation by Phillip Krause.

Bright Night Providence was founded in 2003 when the city’s former New Year’s Eve celebration, First Night, was canceled. With only three months to prepare, clown and flea circus impresario Adam Gertsacov volunteered to organize performances.

"Most of the artists that we hire are not getting the salaries they could command elsewhere," Gertsacov pointed out. "A lot of them have said to me, ‘Listen, I want to be here in Providence. This is where I’m from. We don’t have to travel. We can be with our friends.’ Pendragon says, ‘We rarely perform here — we’re busy doing other stuff — so here’s a chance for our friends to see us.’ " Many performers are also contributing off-stage: Erminio Pinque of Big Nazo designed the posters, Josh Bell, from the Providence Mandolin Orchestra, has been helping out with the website, and Joanne Fayan of the All Children’s Theatre Ensemble is the volunteer coordinator.

1  |  2  |   next >
  Topics: Theater , Entertainment, Performing Arts, Alec Redfearn,  More more >
| More


Most Popular
ARTICLES BY BILL RODRIGUEZ
Share this entry with Delicious
  •   THE WILBURY GROUP’S MARVELOUS LUNGS  |  October 17, 2012
    If Lungs doesn't leave you out of breath, you're ready for competitive sprinting.
  •   THE GRIM REAPER LOOMS IN URI’S MARVIN’S ROOM  |  October 18, 2012
    Given a choice of laughing or crying over misfortune, blubbering isn't most people's pick.
  •   REVIEW: MALT  |  October 18, 2012
    Wisely, a new addition to the Newport dining scene is starting off modestly; it's little more than a pub, but enough more that it shows good promise and even some adventurousness. Malt opened this summer with little fanfare but soon earned a growing fan base.
  •   A HIGH-FLYING CATCH ME IF YOU CAN AT PPAC  |  October 10, 2012
    The subject and story of Catch Me If You Can sound like the flights of fancy that customarily keep musicals aloft, but it's propelled by an actual rascal and the unlikely high points of his actual career(s).
  •   UNUSUAL SOULMATES IN 2ND STORY’S THE GOAT  |  October 02, 2012
    Edward Albee has always managed to drill deeply into the human heart and not stop until he gets a gusher, never more so than in The Goat, or Who Is Sylvia?

 See all articles by: BILL RODRIGUEZ