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John Lennon | Signature Box

Capitol (2010)
By ZETH LUNDY  |  October 5, 2010
3.5 3.5 Stars

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Part absurdist wit, part domestic romantic, and part quasi-revolutionary, John Lennon had a restless, albeit brief, post-Beatles career. His 1970 solo debut, Plastic Ono Band, was a rebirth of sorts; raw, angry, and cathartic, it served as a jarring de-Beatlization. For the rest of the decade, Lennon flitted between incendiary politicking ("Woman Is the Nigger of the World"), jogging down memory lane (Rock 'n' Roll, his album of '50s covers), and checking out of celebrity life ("Watching the Wheels"), all the while maintaining the cheeky tack that made him the Thinking Man's Beatle. That dichotomy is at the heart of Signature Box, an 11-disc set that, in addition to eight album reissues, includes a disc of unreleased recordings, an EP of non-album singles, and a "stripped down" mix of Double Fantasy. A loose but rollicking home demo of "God," Lennon's new-decade free-will mantra, is a great example of the worthwhile rarities here, and the remasters blow off enough dust to reveal worthy deep cuts like the Chuck Berry–esque "New York City." This is, naturally, the go-to choice for would-be Lennon completists, but it's also a comprehensive overview of a brave and occasionally brilliant discography.
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  Topics: CD Reviews , The Beatles, John Lennon, John Lennon,  More more >
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ARTICLES BY ZETH LUNDY
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  •   JOHN LENNON | SIGNATURE BOX  |  October 05, 2010
    Part absurdist wit, part domestic romantic, and part quasi-revolutionary, John Lennon had a restless, albeit brief, post-Beatles career.
  •   SUN KIL MOON | ADMIRAL FELL PROMISES  |  July 07, 2010
    I'm convinced that Mark Kozelek is actually a hypnotist posing as a musician.
  •   PERNICE BROTHERS | GOODBYE, KILLER  |  June 16, 2010
    In the four years since the previous Pernice Brothers album, Joe Pernice has published a terrific debut novel ( It Feels So Good When I Stop ), released an accompanying soundtrack, and had his name catapulted into Twitter infamy by his acerbic foil (and manager), Joyce Linehan.
  •   THE BLACK KEYS | BROTHERS  |  June 10, 2010
    Once just another guitar/drums garage-blues duo, Dan Auerbach and Patrick Carney have moved beyond the garage and the blues and are now making quintessentially American music that’s knee-deep in funky R&B.
  •   KETMAN | KETMAN A GO GO  |  May 19, 2010
    The winking disconnect between Ketman’s promotional art (swingin’ young people from a half-century ago enjoying the pleasures of their hi-fi system; Twiggy types with black bars across their eyes) and Ketman’s music (lean, pugilistic rock with 1980s American punk in its rear-view mirror) is now a little less disconnect-y.

 See all articles by: ZETH LUNDY

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