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CD Reviews
Imperial Teen | Feel the Sound
Merge (2012)
By
DAN WEISS
|
January 24, 2012
Imperial Teen - Feel the Sound
" alt="photo of 'Imperial Teen - Feel the Sound'">
3.0
Stars
Remember how Spoon were supposedly the most consistent band of the 2000s because they made four skintight albums that didn't offend anybody? Apply that theory to two-girls-plus-two-queer-identified-guys (including Faith No More's Roddy Bottum), and you have the much hookier, not-so-teenage Imperial Teen, who have been around long enough both to soundtrack a Rose McGowan flick (
Jawbreaker
's perfect slo-mo villain entrance "Yoo Hoo") and witness their label score an Album of the Year Grammy (Arcade Fire's
The Suburbs
). The four albums that Imperial Teen made in that 1996-2007 stretch are flawless: nothing but three-chord, three-minute nuggets of quietly subversive bon mots ("You're fucking movie stars?/Well, I'm fucking congressmen") that deploy synths and doo-doos only as necessary to maintain flawlessness. If that doesn't sound interesting, then you don't want to hear the flawed version. Like its title, fifth album
Feel the Sound
is as generic as doubters have probably always assumed — they sound both relaxed and exhausted. It's hard to get mad at this disc despite the four-year wait, and longtime fans will stick around to dig out the percolating charms of "No Matter What You Say" and "Last to Know." No bad songs, but any other record they've made is better.
Related
:
Assaf Kehati Quartet | Flowers and Other Stories
,
Review: Glee: The 3D Concert Movie
,
Review: Janie Jones
,
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Assaf Kehati Quartet | Flowers and Other Stories
The Boston-based Israeli guitarist Assaf Kehati and his quartet know how to straddle the great divide.
Review: Glee: The 3D Concert Movie
The little TV series with the can-do pipes rolls out a concert tour that's essentially a love-in with its fan base.
Review: Janie Jones
Borrowing the name of a Clash song with which it has nothing in common, this generic riff on the Crazy Heart template by writer/director David M. Rosenthal ( Falling Up ) also cribs from Sofia Coppola's Somewhere .
Everyday Sunshine: The Story of Fishbone
Lev Anderson and Chris Metzler's documentary details Fishbone's quarter-century journey from musically-diverse South Central middle school classmates to becoming one of the most influential Los Angeles bands of the '80s.
Review: Joyful Noise
There's not much joy but there's plenty of noise of the rafter-rocking gospel singing variety in Tony Graff's musical dramedy.
Brite Futures | Dark Past
A few years ago, the cutesy teens in Natalie Portman's Shaved Head slid out of Seattle on the hot pink shoulders of robo-bounce kinda-hit "Me + Ur Daughter" and the cheap intrigue of a ridiculous moniker.
A Place to Bury Strangers | Onwards to the Wall
Onwards to the Wall clocks in at 16 minutes and 35 seconds, and it could shatter into smithereens at any moment.
Cloud Nothings | Attack on Memory
With Attack on Memory , the third full-length from Cleveland-based Cloud Nothings, 20-year-old frontman Dylan Baldi approaches new, drastically darker material with the same empty-bottle angst that made his previous releases so appealing.
You Me at Six | Sinners Never Sleep
Sinners Never Sleep is a transitional album, though such efforts rarely bode as well for the future as this does.
The Woodrow Wilsons | The Devil Jonah
The Woodrow Wilsons are a haushold name — to anyone familiar with Jamaica Plain's Whitehaus Collective, that is.
Review: For Greater Glory
Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
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ARTICLES BY DAN WEISS
THE HIVES | LEX HIVES
| May 29, 2012
If there was ever a worry of the Hives maturing— or simply becoming less like the Hives — there isn't anymore.
EL-P | CANCER FOR CURE
| May 15, 2012
"It's like a fresh start in a new world," El Producto repeats on "Works Every Time," a track on this, his least ambitious record.
BEST COAST | THE ONLY PLACE
| May 08, 2012
It was heartbreaking to see Bethany Cosentino's 2010 full-length debut, Crazy for You, questioned for lacking "overall intelligence."
SANTIGOLD | MASTER OF MY MAKE-BELIEVE
| April 24, 2012
Holding the torch for unbridled eclecticism when spontaneity was out of style, Santogold — Santi White's out-of-nowhere 2008 debut —was a very good album that nicked from Tegan and Sara, No Doubt, and reggae-rap, and risked typecasting her even as she defied type.
SCREAMING FEMALES | UGLY
| April 17, 2012
It's nice to know a woman as talented as singer-guitarist Marissa Paternoster was influenced by Our Band Could Be Your Life, despite Kim Gordon being the only woman in it.
See all articles by:
DAN WEISS
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