The Figgs | The Day Gravity Stopped

Stomper (2012)
By ZETH LUNDY  |  May 15, 2012
3.0 3.0 Stars

figgs1

These days Mike Gent, Pete Donnelly, and Pete Hayes are involved in enough extracurricular activities (Graham Parker, NRBQ, countless side/session-men gigs) that you could hardly blame them if they closed their two decades-plus Figgs chapter. Instead, they reconvene and make a double album — their second-ever release and first since 2004's Palais. It's no surprise that the 20-track record is all killer with little sprawl. An embarrassment of riches, it boasts some of the best music of their career, touching on pub rock ("The Lovely Miss Jean"), country-soul (a cover of Gene Clark's "Feeling Higher"), horn-fueled booty tunes ("Camden Love-In"), and greasy Some Girls R&B ("Do Me Like You Said You Would"). The duality of songwriters Donnelly and Gent, now more than ever, is the Figgs' greatest asset, a classic case of complementary yin/yang if there ever was one. Donnelly shifts into power-pop overdrive with "Chased" and "The Recap," while Gent delivers the sublime "Jupiter Row" and the cosmic mod joint "No Time Is the Wrong Time To Groove." Not to be outdone, Hayes contributes the breezy "Avec U," proving that no time is the wrong time for ukulele and musical saw.

THE FIGGS | Church, 69 Kilmarnock St, Boston | June 1 + 2 @ 8 pm | 21+ | $10| 617.236.7600

  Topics: CD Reviews , Music, Arts, Church,  More more >
| More


Most Popular
ARTICLES BY ZETH LUNDY
Share this entry with Delicious
  •   SCOTT WALKER | BISH BOSCH  |  November 27, 2012
    Scott Walker's late-period about-face is one of the strangest in the annals of pop music.
  •   BILL WITHERS | THE COMPLETE SUSSEX AND COLUMBIA ALBUMS  |  October 31, 2012
    Bill Withers has always been the down-to-earth, odd-man-out of the '70s soul brothers: he's the one who came bearing a lunch box on the cover of his relaxed 1971 debut, Just as I Am .
  •   R.E.M. | DOCUMENT [25TH ANNIVERSARY EDITION]  |  September 19, 2012
    Fans of R.E.M. enjoy arguing over which album was the band's true shark-jump, but 1987's Document was inarguably the end of a groundbreaking era.
  •   RICHARD HAWLEY | STANDING AT THE SKY'S EDGE  |  September 04, 2012
    Richard Hawley's seventh studio album opens with "She Brings the Sunlight," a clouds-parting, hippy-dippy drone explosion that plays like "Tomorrow Never Knows" caught in the echo of a football stadium.
  •   BOB MOULD | SILVER AGE  |  August 28, 2012
    Now that he's getting love as a godfather figure from both sides of the indie/mainstream divide (see No Age and Foo Fighters, for starters), Bob Mould is again playing like he has something to prove — or at least an iconography to maintain.

 See all articles by: ZETH LUNDY