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Amusement at the wacky high jinks of the wealthy has waned some since Dudley Moore's bibulous antics in the 1981 hit comedy Arthur .
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Two weeks ago, in a round-up of "inessential" press releases, I discussed Batter Blaster, a spray-on-pancake-batter company that had delved into the world of rock by offering free, hip, indie songs to fans of high-tech breakfast products.
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Come for the dumplings, stay for a full Taiwan-style menu. Actually, you might just come for the dumplings.
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After a 10-year campaign by proponents of hyper-local radio, Congress finally passed the Local Community Radio Act in December. So how will that affect Boston's burgeoning "pirate" radio landscape?
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The endless, anguished debate over how to deliver local news in the Age of the Internet has not reached anything like a satisfying conclusion.
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Amusement at the wacky high jinks of the wealthy has waned some since Dudley Moore's bibulous antics in the 1981 hit comedy Arthur .
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The reception for the "Bumpkin Forward" exhibit on Bumpkin Island comes to Mobius on April 2, 2011. Sara June and Max Lord do a performance art piece, preceded by a talk by Cara Brostrom.
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The Rialto intersects Wall Street in Theatre for a New Audience's steely, droll, and deeply disquieting The Merchant of Venice (presented by ArtsEmerson at the Cutler Majestic Theatre through April 10).
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We should all be so lucky as to live the Life of Yanni: While the rest of us concern ourselves with mundane day-to-day trials and tribulations wrapped within a greater shell of global anxiety, Yanni has been able to fashion a musical identity where he can pursue genre-defying instrumental music for the gratification of a dedicated worldwide following.
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Hitting on strangers seems to have lost its appeal.
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