VIDEO: HUMANWINE, Ketman, and What Time Is It, Mr. Fox? at TT's
HUMANWINE at TT's; click for live footage of Ketman and What Time Is It, Mr. Fox? An
insufferably obnoxious buddy of mine snatched away my notebook and pen
to jot down, “It’s like watching a marionette show on LSD,” during HUMANWINE ’s set Thursday at T.T.’s. I didn’t hit him, but I wanted to. This sounds like [activity] on [drug]
is the most hackneyed of all hackneyed critical devices, and I wouldn’t
encourage anyone to venture near HUMANWINE while on acid. Had I been tripping at the time, I would’ve freaked right
out when front-woman Holly Brewer, periodically sporting a leafy
facemask, played an invisible trumpet during “Our Devolution is
Televised.” Ample talk of gnomes conspiring to delay the completion of
HUMANWINE’s latest opus, Mass Exodus , likewise would’ve led to
a loss of my composure. Due to an onslaught of technical calamities
which may or may not have been gnome-related, the Exodus CD
jackets had yet to be printed by the start of this, its release show.
Nonetheless, completed discs were distributed to the masses, so fuck
those gnomes. Fuck them right in their stupid gnome asses. A
bold observer of the obvious, my co-conspirator also advised me to
write that HUMANWINE sounded “haunting.” That’s another easy descriptor
for Brewer, M@ McNiss, and company. Whether dabbling in folk, oomph-ah,
klezmer, or whatever conceptual paradigm serves their whimsy, HUMANWINE
is a seriously spooky brew. They’re on the cusp of their annual slog
back to the West Coast for the winter. Whether they successfully
converted their bananas into banana bread, as was their propagated
ambition, is unknown. Like HUMANWINE, Ketman
answered questions with more unsettling questions. Inquired guitarist
and co-vocalist Eric Penna, “What does a circus bear hear when he
dances?”Pondered bassist and co-vocalist Joe Marrett, “Maybe there’s
one track of information going through all bears’ minds at all times?” Ketman’s
also planning a jaunt to the west coast, and have toured Brazil enough
to be bonafide rock stars down there by now. (If they aren’t, well,
then, fuck Brazil.) Formerly a baffling indie-ish punk trio, Ketman’s
been adding trumpeter Brian Rutledge (like Marrett, also of Hallelujah
the Hills) and saxophoner Kevin Corzett (of seemingly every band except
Hallelujah the Hills) to their arsenal. The results metaphorically
proclaim, “Fear us, for we play the devil’s music which will claim your
soul and send it an awesome version of hell where there is no
redemption! Only rawk!” Brian King of openers and snappy dressers What Time Is It, Mr. Fox?
probably isn’t really the illegitimate child of Meat Loaf and Lestat,
but he could pass for it, and that would explain his crooning chops,
knack for accessorizing, and possible daddy issues. The playfully
macabre Mr. Fox is the only band I have ever seen reading from music
stands at T.T.’s.