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Sustainability

Merce Cunningham in the Park Avenue Armory; Christopher Wheeldon at City Center
If you wanted to know what happened at the Merce Cunningham memorial a week ago Wednesday in the Park Avenue Armory, you could get a thousand answers.
By MARCIA B. SIEGEL  |  November 04, 2009

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Definitions

Boston Ballet’s ‘World Passions’; Streb Brave at the ICA
Boston Ballet’s artistic director, Mikko Nissinen, wants us to think of his company as utterly contemporary, but it’s a tricky balance to pull off.
By MARCIA B. SIEGEL  |  October 28, 2009

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Photos: Boston Ballet's World Passions

Photos from the Boston Ballet's "World Passions" at the Opera House
Photos of the Boston Ballet's "World Passions" collection, including Jorma Elo's Carmen ; Helen Pickett's Tsukiyo ; Viktor Plotnikov's Rhyme ; and Marius Petipa's Paquita.
By ERIC ANTONIOU  |  October 26, 2009

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Both ears and the tail for this Carmen

Boston Ballet's 'World Passions'
"World Passions," the collection of four works that Boston Ballet opened at the Opera House last night, was more pleasant than passionate until Kathleen Breen Combes sashayed out as the title character in Jorma Elo's Carmen .
By JEFFREY GANTZ  |  October 28, 2009

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Sunday school

Ronald K. Brown at the ICA
Ronald K. Brown’s flamboyant choreography comes with a big serving of spirituality.
By MARCIA B. SIEGEL  |  October 21, 2009

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No place like home

Boston Ballet's Giselle fits right in
The first thing audiences see when the curtain goes up on Boston Ballet's Giselle is our heroine's charming Rhineland-village home, a rustic abode that in Peter Farmer's set is framed by birches, a symbol of fidelity.
By JEFFREY GANTZ  |  October 07, 2009

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Photos: Boston Ballet's Giselle

Photos from the Boston Ballet's Giselle , opening October 1, 2009
Giselle at the Boston Opera House
By ERIC ANTONIOU  |  October 02, 2009

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Requiem detexted

Nicole Pierce at the Armory
Mozart's Requiem is one of the most controversial works in the classical repertory. Mozart had completed only parts of it and sketched other parts when he died, unexpectedly at age 35, in 1791. His death ignited immediate speculation and myth.
By MARCIA B. SIEGEL  |  September 30, 2009

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Smaller, bigger, better

Boston Ballet’s fourth ‘Night of Stars’
Is Boston in the midst of a ballet boom? You could certainly believe that if you attended Boston Ballet’s fourth annual season-opening gala last Saturday.
By JEFFREY GANTZ  |  September 22, 2009

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Terpsichore's delight

A season of foot (and body) work
There's no end to variety to the fall's dance season, from a Boston Ballet classic to Hawaiian hula and "extreme action" acrobatics.
By DEBRA CASH  |  September 14, 2009

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Giant's steps

Merce Cunningham (1919–2009)
Merce Cunningham's death on July 26 wasn't unexpected. He'd been in frail health since this past winter. He was in a wheelchair for his 90th-birthday celebration in April at Brooklyn Academy of Music. In June, the Cunningham Foundation announced plans for the future of the company and the repertory after his death.
By MARCIA B. SIEGEL  |  August 04, 2009

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Annie variations

David Parker at Summer Stages
The Bang Group's performance at Concord Academy Thursday night wrapped the audience in rings of intimacy and surprise. Choreographer/director David Parker, acting as MC, paid loving tribute to Summer Stages Dance, where he and the company have appeared and taught for 10 years.
By MARCIA B. SIEGEL  |  July 28, 2009

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Stuck-togetherness

Chris Elam's Misnomer Dance
Chris Elam's Misnomer Dance Theater performed three seriously zany works Thursday night under the title "Being Together," in their third appearance for Concord Academy Summer Stages Dance.
By MARCIA B. SIEGEL  |  July 21, 2009

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Extremities

Postmodern dance takes flight
Postmodern dance's conceptual, physical, and metaphysical roots spread far and wide, as four summer festival performances attested last week.
By MARCIA B. SIEGEL  |  July 15, 2009

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Dancing in a new direction

Notes from 'Ballets Russes 2009'
The 100th birthday of Serge Diaghilev's Ballets Russes prompted the expected centennial tributes in Boston: a "Diaghilev's Ballets Russes 1909–1929: Twenty Years That Changed the World of Art" symposium and exhibition at Harvard University in April, and a "Ballets Russes 2009" festival this month.
By JEFFREY GANTZ  |  June 01, 2009

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Blood, bone, and mirrors

Prometheus at the ICA
At the beginning of Between Blood & Bone , a man and a woman stand at opposite sides of an empty space. A few minutes or a lifetime later, they're curled together on the floor, wrapped in the tightest possible embrace.
By MARCIA B. SIEGEL  |  May 19, 2009

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Slideshow: Ballets Russes at the Wang

Diaghilev's Ballets Russes Centennial Celebration
Boston Ballet performs "Diaghilev's Ballets Russes Centennial Celebration" at the Wang Theater
By ERIC ANTONIOU  |  May 15, 2009

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Setting the Wang on fire

Boston Ballet's 'Ballets Russes'
Burning down the house” is a metaphor, but at the Wang Theatre last weekend, the Boston Fire Department was on hand to ensure that it remained one.
By JEFFREY GANTZ  |  May 20, 2009

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Dark night of the soul

Boris Eifman's Eugene Onegin
St. Petersburg's Eifman Ballet presents Eugene Onegin at the Cutler Majestic Theatre this weekend.
By JEFFREY GANTZ  |  May 08, 2009

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Golden years

Alvin Ailey at the Opera House
The last thing I had in mind when I went to the Opera House Tuesday was raining on Alvin Ailey's parade — particularly since the Alvin Ailey American Dance Theater, which he founded in 1959, is celebrating its 50th anniversary this year while making its 41st annual Celebrity Series appearance in Boston.
By JEFFREY GANTZ  |  May 06, 2009
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