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CAROLYN CLAY

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Ralph Ellison's Invisible Man takes the stage


Ralph Ellison would not allow his National Book Award–winning 1952 novel, Invisible Man , to be made into a movie or play.
By: CAROLYN CLAY  |  January 15, 2013

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A.R.T. wrings magic from Pippin


Diane Paulus's ingenious circus revamp of Pippin is indeed a magic to-do.
By: CAROLYN CLAY  |  January 09, 2013

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Cold comforts on stage: The new theater season


Stretching from Beethoven to Brustein and from Palm Springs to North Korea, the new theater season is all over the map.
By: CAROLYN CLAY  |  December 21, 2012

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Love's labors: ASP visits Two Gentlemen


I have never seen a production of Two Gentlemen of Verona , and now I know why.
By: CAROLYN CLAY  |  December 20, 2012

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Stage worthies: The best theatrical productions of 2012


With the addition of ArtsEmerson to a lively array of hometown players, the Boston Rialto has seen an embarrassment of riches.
By: CAROLYN CLAY  |  December 17, 2012

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David Cromer renovates Our Town


You're not near enough to smell the alcohol on the tippling choirmaster's breath.
By: CAROLYN CLAY  |  December 14, 2012



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Culture clash: Chinglish not lost in translation


As David Henry Hwang's Chinglish demonstrates, negotiation among Americans and Chinese is seldom as snappy as the play's title.
By: CAROLYN CLAY  |  December 12, 2012

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Chesapeake keeps boredom at bay


A loopy cri de coeur for the National Endowment for the Arts, Chesapeake (presented by New Repertory Theatre through December 16) is more shaggy dog story than dramatic achievement.
By: CAROLYN CLAY  |  December 03, 2012

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Back to the past: Pinter revived at the Huntington


Betrayal , which premiered in 1978, is Nobel laureate Harold Pinter's most straightforward and also his most straight-backward play.
By: CAROLYN CLAY  |  November 21, 2012

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Whistler puckers up for Ovid


A decade ago, director Mary Zimmerman won a Tony for a staging of Metamorphoses set around a pool.
By: CAROLYN CLAY  |  November 09, 2012

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Hickory Schtick: Andrew Jackson is bloody good


Ever since Richard Nixon lost an election by sweating on TV, we have held this truth to be self-evident: America prefers a sexier president.
By: CAROLYN CLAY  |  November 07, 2012



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The Chosen keeps the faith


The leap from page to stage for The Chosen (at the Lyric Stage Company of Boston through November 17) is more of a hop.
By: CAROLYN CLAY  |  November 07, 2012

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Out of Afghanistan

Matthew Spangler’s stage adaptation of The Kite Runner
Matthew Spangler's stage adaptation of The Kite Runner is so faithful to Khaled Hosseini's 2003 bestseller that you might think the novel a religion.
By: CAROLYN CLAY  |  September 19, 2012

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Gilding the Lily

The A.R.T.'s production of Lily's Revenge
Princess Diana died in 1997, so that's when Taylor Mac began contemplating The Lily's Revenge , in which, complete with petals and pot, he portrays the titular blossom.
By: CAROLYN CLAY  |  September 17, 2012

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Ten can't-miss plays for this fall


Princess Diana died in 1997, so that's when Taylor Mac began contemplating The Lily's Revenge, in which, complete with petals and pot, he portrays the titular blossom.
By: CAROLYN CLAY  |  September 20, 2012

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Marie Antoinette rules at ART

Heads off
Last year, dramatist David Adjmi raised a stir with a site-specific tea party called Elective Affinities , in which four-time Tony winner Zoe Caldwell held court in an Upper East Side townhouse, spinning a small audience into her web of entitlement.
By: CAROLYN CLAY  |  September 13, 2012



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GSC commits Crimes of the Heart

Sister Act
It must have seemed a guilty pleasure to dramatist Beth Henley to win the 1981 Pulitzer Prize for Crimes of the Heart.
By: CAROLYN CLAY  |  September 05, 2012

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Sticks and Bones packs a wallop in Wellfleet

Good night, Vietnam
Relevance tends to turn up like the proverbial bad penny. David Rabe's 1972 Tony Award-winning Sticks and Bones , which is being revived by Wellfleet's Harbor Stage Company (through September 8), has one foot in the froth of mid-20th-century television, the other in the morass of Vietnam.
By: CAROLYN CLAY  |  August 28, 2012

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Chad Deity is a knockout

Primal Time
The old actors' adage "Break a leg" does not seem an apt shout-out to the intrepid cast of The Elaborate Entrance of Chad Deity.
By: CAROLYN CLAY  |  August 14, 2012

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Master Harold erupts at Gloucester Stage

Black power
I first had the autobiographical Molotov cocktail that is "Master Harold" ... and the boys hurled at me in the early 1980s, when Nelson Mandela was still a prisoner and apartheid was law in South Africa.
By: CAROLYN CLAY  |  August 06, 2012
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