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JON GARELICK
Jon Garelick is associate arts editor of the
Boston Phoenix, where he has been on staff since becoming music editor in 1990. Jon writes the column “Giant Steps” -- which is mostly about jazz -- as well as pieces about TV, art, theater, and other subjects. He has also written for the
New York Times and
New York Times Book Review,
Rolling Stone,
Jazziz, the
Boston Globe, and other publications. He has won two ASCAP-Deems Taylor Awards -- in 1993 and 2003 -- for his writing about music.
Latest Articles
Darius Jones, Kurt Rosenwinkel, and Ben Goldberg’s Go Home
To call Darius Jones’s music avant-garde seems almost beside the point. In its way, it’s older than old — it’s ancient.
Pi (2009)
Henry Threadgill has been reinventing his language — and by extension the jazz language — for at least 30 years, beginning with the trio Air in the 1970s.
Jeremy Udden’s rocky jazz path
In his Village Voice review of Jeremy Udden’s Plainville (Fresh Sound New Talent), Jim Macnie recalled how a friend of his tried to file it as “jazz for Wilco fans.” As Macnie explained, that’s not the whole story with Udden or Plainville , but it’s not a bad starting point.
DafnisonMusic (2009)
Prieto is one of the supermen drummers of contemporary jazz — Cuban-born, fluent in all idioms, a multitude of patterns flowing through him and into his hands and feet at any given point.
Amanda Carr and Gretchen Parlato do it their way
If fans plan shrewdly next Thursday (October 15), they can hear jazz singing at its best in two completely different styles.
Linda Oh Trio (2009)
Chinese-Australian bassist Linda Oh (now living in NYC) favors a spare setting on this debut: trumpet, bass, and drums.
Terri Lyne Carrington gives the BeanTown Jazz Fest the blues
Terri Lyne Carrington gives the BeanTown Jazz Fest the blues
Earthsound is for real
Yes, this Boston jazz trio incorporates the sounds of seals, tree frogs, and crickets. Yes, one of them is a working ecologist. Here's why you shouldn't hold that against them.
NEC and Berklee set the jazz stage
Several of this fall's promising jazz performances are clustered around the week of October 18. That marks the 40th-anniversary celebration of the jazz-studies program at New England Conservatory, which, created by Gunther Schuller, established NEC as one of the international twin beacons of jazz education in Boston along with Berklee College of Music.
Julian Lage's talent isn't just in his fingers
"I like using songs to change the environment — to get the listener's ear to be a little skewed."
NJCO/Planet Arts (2009)
Sometimes even the fanciest jazz virtuosity can sound routine, if for no other reason than that we've heard it all before.
Dr. John and the Neville Brothers, live at the House of Blues on August 28, 2009
Even long-time fans probably didn't expect the generous, inspiring show Dr. John and the Neville Brothers delivered as part of a "Mardi Gras Mambo" tour stop at the House of Blues last Friday.
Steve Riley & the Mamou Playboys, live at the M FA, September 26, 2009
Steve Riley & the Mamou Playboys — named for their home town in southwest Louisiana — play music for dancing.
Florencia Gonzalez gets ugly . Plus, Dave Holland is sitting pretty.
In the city where Florencia Gonzalez grew up — the Uruguayan capital of Montevideo — every neighborhood has its own candombe group. These are drum outfits that might meet on a Sunday afternoon, a Wednesday night, or particular holidays, depending on neighborhood tradition.
Newport Jazz comes back with a bang
The biggest news made by the Newport Jazz and Folk Festivals the past two weekends was that they happened at all.
Palmetto (2009)
Whatever else is going on in jazz — fractured meters, indie-pop fusions — it's always good to hear a couple of horns burning through the changes over swing cymbals and a hard-walking bass groove.
Fresh Sound New Talent (2009)
Saxophonist and composer Udden (formerly of NEC and the Either/Orchestra) here dives deeper into the jazz-pop connections he began to explore in his 2006 debut as a leader, Torchsongs .
Newpoli and Steven Bernstein do their homework
When in 1999 Björn Wennås moved from Sweden to Boston to study jazz guitar, he hardly imagined that he'd one day be playing in an ensemble that specializes in Italian folk music of the 12th to 19th centuries.
King Sunny Adé and his African Beats, live at the Courtyard at the Museum of Fine Arts, July 15, 2009
In 1992, Nigerian juju master King Sunny Adé and his African Beats played the Park Plaza Hotel ballroom as part of the Boston Globe Jazz & Blues Festival. What I remember most vividly is the hypnotic overlap of undulating guitar lines.
Nonesuch (2009)
Guitarist Frisell is one of jazz's great impressionists, and here he has the perfect subject for one of his audio mini-movies: the eccentric Arkansas portrait photographer Michael Disfarmer.
