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Battles | Gloss Drop
CD Reviews
The Individuals
Fields/Aquamarine | Bar/None
By
SAM UBL
|
July 15, 2008
THE INDIVIDUALS, FIELDS/AQUAMARINE
" alt="photo of 'THE INDIVIDUALS, FIELDS/AQUAMARINE'">
3.5
Stars
From svelte guitar lines to lyrics about neighbors’ pools to a permeating aura of suburban ennui: early-’80s post-punkers the Individuals hewed closer in spirit to the lands immediately west of their home town, Hoboken, than to the big skyscrapers to the east. Their only releases, 1981’s
Aquamarine
EP and the following year’s
Fields
, which see joint reissue this month on Bar/None, should rate high among fans of groups like Holy Hail or even Brooklyn ensemble Mahogany. But their sleekly monotonous, chorus-soaked recordings mark the shrewd foursome as a definitive example of the so-called Hoboken Sound. They share the Feelies’ detached intelligence and austere palette, but their low-tension, stiff-funky style is the graphic-design program to the Feelies’ art school: rock by people who never got much of a charge out of rock music. Drummer Doug Wygal regards syncopation as an otiose seasoning, like salt on a dish that’s perfectly tasty without it, and his restraint helps propel numbers like
Fields
standout “My Three Sons (Revolve Around the Earth).” None of it will rock the worlds of less-than-obsessive fans of American post-punk, but it’s something we could do with more of: enterprising indie rock sprung from minds that are sophisticated but nonetheless smart enough to keep it simple.
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The Bay State, born and nurtured at UMaine-Machias, are right in my personal wheelhouse: smart lyrics, huge choruses, and they edge outside your standard instrumentation.
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After a pair of successful record-release gigs at Firehouse 13, Cali Smile will join an indie-rock bill on Friday (the 21st) at URI with locals the Coming Weak, the Noise Campaign, and Warwick's Dorado 30, to name a few — all for only $4 at the door.
Covers uncovered
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Less
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| October 01, 2008
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| September 10, 2008
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| September 02, 2008
The Hertfordshire trio’s debut full-length cobbles from some of dance rock’s silliest (and sappiest) party mavens, among them Talking Heads, Prince, and the Rapture.
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Lykke Li may be hotly tipped for Starbucks stereoplay, but she’s more “Konichiwa Bitches” than Keren Ann.
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| August 19, 2008
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