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Battles | Gloss Drop
CD Reviews
Monika H. Band | Disguised As Umbrellas, We Slept
Self-released (2008)
By
JON GARELICK
|
November 3, 2008
MONIKA H. BAND | DISGUISED AS UMBRELLAS, WE SLEPT
" alt="photo of 'MONIKA H. BAND | DISGUISED AS UMBRELLAS, WE SLEPT'">
2.5
Stars
If you make
everything
in a song complicated — structure, melody, chords, rhythms, lyrics — then maybe you’re not playing pop music at all. Monika H.’s press material offers comparisons with Björk and Si*Sé, but really, the NEC grad (now living in Brooklyn) makes those two avant-singer-songwriters sound like Irving Berlin. A couple of years ago, she released
Bright,
which mixed her own surrealistic rock-inflected tunes with a couple of pieces by avant-jazz hero Steve Lacy. The new disc is dense with dirty-guitar chords and heavy beats but few grooves or hooks. Monika’s taste for leaping vocal lines likewise pushes the art-rock envelope. There are beautiful details throughout: the shifting dynamics and cascading guitar of “Fun To Be Had, If You Let It”; the buzzing bass clarinet and chorale-like trumpet/voice opening of “Ride”; her singing. And her smudged-mascara morning-after poetry (which includes a setting of a poem by Richard Murphy) is worth bending your ears into the thicket for. But amid the clamor, you might be grateful for the simple Zep-like guitar riffs of “Night Pray.” That said,
Umbrellas
is never boring, and the lovely, spooky closer, “Your Doom,” is almost as simple as Steve Lacy.
Related
:
Let ’em sing!
,
Three nights
,
Frank Carlberg | The American Dream
,
More
Let ’em sing!
Here, in no particular order, are some my favorite things from among the people, CDs, and performances I wrote about this year.
Three nights
As usual, there was too much to see in a week that included avant-gardist Burton Greene at one end of the spectrum and crossover darling Diana Krall at the other.
Frank Carlberg | The American Dream
Other jazz musicians have set the poetry of Robert Creeley to music. Here poetry takes on the form of incantation in the repetition of Creeley's short, oblique verses.
Cinematic
Talking with Nathaniel Facey, the alto-saxophonist in the London band Empirical, you find it difficult at first to pin down where and how the quintet developed their unusual compositional style.
Self help
In jazz, it’s always the iron age.
Jew note
Defining "Jewish" music is pretty much a fool's task — not much easier than defining jazz.
Standards
For much of his life, no one played Thelonious Monk pieces except Thelonious Monk.
The onliest Sonny
Sonny Rollins has held the unofficial title of world’s greatest living improviser at least since the early ’70s, following the death of John Coltrane and the second of two extended Rollins sabbaticals from public performance.
5 x Lacy
Midwestern master
I was going to say Roscoe Mitchell laughs like Mutley. But that’s not it exactly.
Little band with a big sound
Throughout my notes on the Boston quartet Gypsy Schaeffer, I’ve written “great tune.”
Less
Topics
:
CD Reviews
,
Irving Berlin
,
Steve Lacy
,
Richard M. Murphy
|
More
ARTICLES BY JON GARELICK
THE FRINGE AT 40
| May 15, 2012
"I'm feeling a little light-headed," George Garzone told the audience last Saturday at the Boston Conservatory Theater, closing his eyes and bringing a hand to his brow.
THE 2012 NEW ORLEANS JAZZ & HERITAGE FESTIVAL
| May 04, 2012
New Orleans Notes
ESPERANZA SPALDING’S “SOCIETY”
| April 18, 2012
The first time I was knocked out by Esperanza Spalding, she wasn't even playing — she was talking.
WALT WHITMAN VIA FRED HERSCH
| April 19, 2012
The pianist and composer Fred Hersch first encountered the poetry of Walt Whitman as a student at New England Conservatory in 1976.
JAZZ PIANIST AND COMPOSER DAN TEPFER WOULD TAKE ON THE GOLDBERG VARIATIONS
| April 19, 2012
Jazz and Bach have always made good company.
See all articles by:
JON GARELICK
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