The Phoenix Network:
 
 
About  |  Advertise
Adult  |  Moonsigns  |  Band Guide  |  Blogs  |  In Pictures
 
CD Reviews  |  Classical  |  Live Reviews  |  Music Features

Raising the Bar (Rock)

The Hold Steady + The Drive-By Truckers at the Orpheum, November 9, 2008
By CHRISTOPHER GRAY  |  November 14, 2008

SHOW_insideDrive-By-Trucker.jpg
Drive-By Truckers

On the "Rock and Roll Means Well" tour, Drive-By Truckers and the Hold Steady upgraded their respective brands of quintessential American bar rock with a number of arena-rock trimmings: for-hire horn trio, light show, mechanical drum sound, etc. Taking opening duties for the night (the bands alternate), Drive-By Truckers' 80-minute set was a lot like one of their albums: a little too long and a little too heavy on Michael Cooley songs. Cooley and co-frontman Patterson Hood mostly alternated songs, and even Cooley's apologists (guilty) couldn't help but note the want of momentum on his cuts. Switching off between grandstanding roadhouse rock and earnest confessionals, he began his songs with a welcome dose of Mick Jagger bluster but unraveled quickly into inert Southern caricature, arbitrarily over-twanging every few syllables. (He did manage to carry one of his best tracks, Decoration Day's freewheeling "Marry Me," though.) Hood, for his part, mastered the band's stew of honesty, revisionist history, and irony, his croaky pleas and spoken-word gravel reaching over the band's thick three-guitar attack (Shonna Tucker's bass was unintelligible) and up to the balcony.

Craig Finn and the Hold Steady sounded crisper and more cutthroat, seizing the disconnect between their drunk-punk ethic and their arena ambitions. Finn (with keyboardist Franz Nicolay, looking like a reject from the E Street Band) took the sentimental anthems of the band's last two albums and shouted them out into the crowd like they were in a friend's basement — never mind that you couldn't hear the vocals five rows back. Arms flailing, Finn carried himself as a dandy prophet, and tore through the band's radio hits ("Sequestered in Memphis," "Stuck Between Stations") quickly before juicing up their early, deconstructivist material ("Positive Jam") as the crowd sang along to every word. The obligatory all-hands-on-deck finale was muddy and strangely subdued, but Finn and company proved more than capable of leading an army of young drunks into battle.

 

Related: Call it a comeback, Photos: Monsters of Folk at Orpheum Theatre, Photos: Bonnaroo 2009, More more >
  Topics: Live Reviews , Entertainment, Music, Pop and Rock Music,  More more >
  • Share:
  • Share this entry with Facebook
  • Share this entry with Digg
  • Share this entry with Delicious
  • RSS feed
  • Email this article to a friend
  • Print this article
Comments

[ 11/20 ]   Devendra Banhart & the Grogs + Happy Birthday  @ Berklee Performance Center
[ 11/20 ]   Saving Abel + Pop Evil + Red  @ Wolf Den @ Mohegan Sun
[ 11/20 ]   "Only A Cappella"  @ St. Andrew's Episcopal Church
[ 11/20 ]   Felix Kubin  @ Massachusetts College of Art and Design
[ 11/20 ]   Jake & Taylor Armerding  @ Center for Arts In Natick
ARTICLES BY CHRISTOPHER GRAY
Share this entry with Delicious
  •   NO SLEEP ’TIL BROOKLYN  |  November 18, 2009
    There’s a lot to love about Slumberland Records, the DC-born, Oakland-based label that celebrated its 20th anniversary last weekend with sold-out shows in Washington, DC, and Brooklyn.
  •   BROWN BIRD IN WILLIAMSBURG  |  November 18, 2009
    Along with other Mainers in Brooklyn this weekend playing at the Slumberland Records 20th anniversary celebration, Maine/Rhode Island chamber-folk standouts Brown Bird were also in the borough, playing the narrow Williamsburg bar Spike Hill Sunday night.
  •   YE + HARU BANGS + BATSHELTER  |  November 04, 2009
    Who was the least idiosyncratic band at Bubba’s last Thursday? Maybe the (not breaking up, but going on academic hiatus) duo Haru Bangs, who were the only act in plainclothes, but who also unfurled dynamic, punishingly loud fits of drum and effects-mauled guitar which will either strike you as utterly alienating or as novel, dizzying bits of well-composed chaos?
  •   ROLLING STONED  |  November 04, 2009
    Every new gambit is just another log on the roaring bonfire of Jonathan Lethem's eighth novel.
  •   DEAL WITH IT  |  October 28, 2009
    When I was seven, I had a winter coat with flashes of neon so bright they glowed in the dark.

 See all articles by: CHRISTOPHER GRAY

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed 



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2009 The Phoenix Media/Communications Group