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Resident Evil: Extinction

A nail in the RE coffin
By BRETT MICHEL  |  September 26, 2007
2.5 2.5 Stars
inside_resident_evil_extinc
RESIDENT EVIL: Is extinction even possible?

Cash registers rang up millions last week as the third chapter of a popular video-game franchise blasted onto screens. The latest installment in writer/producer Paul W.S. Anderson’s Resident Evil series may have opened atop the box office, but hardcore gamers know where the real action is. If there’s any justice, Halo 3 will keep audiences home, far from director Russell Mulcahey’s latest nail in the RE coffin. Milla Jovovich returns as Alice, but the nudity that perked up her earlier outings has been eradicated, exposing nothing more than terrible acting. In a future cribbed from The Road Warrior, Alice joins a convoy of survivors led by Claire Redfield (Ali Larter) and Carlos Olivera (Oded Fehr) in fending off the zombie plague that’s overtaken 95 percent of the world’s populace. Meanwhile, the deep-pocketed Umbrella Corporation continues its nefarious schemes — puzzling, given the lack of commerce in an undead society.
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ARTICLES BY BRETT MICHEL
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    Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
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    As rites of passage go, Girl in Progress is a step backward for the genre.
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    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
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    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
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    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.

 See all articles by: BRETT MICHEL



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