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Review: How To Train Your Dragon

Also better than Avatar
By BRETT MICHEL  |  February 24, 2011

Animation directors Dean DeBlois and Chris Sanders have fashioned a family entertainment that functions as a copy of James Cameron’s most successful film of all time. It’s got the young hero from a war-bred culture who joins sides with the “enemy;” it’s got romance (only here, he’s the chief’s offspring); it’s got an at-first-untrainable dragon that he bonds with, taming it as they take to the skies; it’s dazzlingly presented in 3-D.

It’s also better than Avatar. Hiccup (voiced by Jay Baruchel), the hapless hero, is a scrawny Viking, a dragon hunter-in-training. And he’s terrible at it, an embarrassment to his warrior father, Stoick (Gerard Butler). Toothless, Hiccup’s cat-like dragon steed, shares DNA with the alien in the directors’ Lilo & Stitch, and their new film seems cloned from that movie, as well, as a youth secretly fosters a lethal beast.

But this one’s a real beauty.

Related: Review: A Single Man, Review: It's Complicated, Review: The Young Victoria, More more >
  Topics: Reviews , Entertainment, Movies, Gerard Butler,  More more >
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ARTICLES BY BRETT MICHEL
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    Bring coffee, because director Dean Wright's dramatization of the 3-year-long Cristero War (1926-9) seems to last longer than the Mexican conflict itself.
  •   REVIEW: GIRL IN PROGRESS  |  May 15, 2012
    As rites of passage go, Girl in Progress is a step backward for the genre.
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    While not the most probing look at rising stars, Bess Kargman's documentary focuses on six aspiring contestants preparing for the prestigious Youth America Grand Prix competition (a proven entry point into the world of professional ballet) who demonstrate dazzling talent.
  •   REVIEW: THE BEST EXOTIC MARIGOLD HOTEL  |  May 03, 2012
    Filled with Indian (and British) clichés, it is nonetheless a pleasant diversion that doesn't involve special effects or 3D glasses.
  •   REVIEW: BLUE LIKE JAZZ  |  April 12, 2012
    A faith-based film directed by Christian recording artist Steve Taylor, adapted by Taylor and Donald Miller from the latter's 2003 memoir, this micro-budgeted indie tries to appeal to everyone by not offending anyone . . . except those who like movies.

 See all articles by: BRETT MICHEL



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